{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/8250"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/8250","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Pelléas et Mélisande as symbolist opera","abstract":"Claude Debussy (1862-1918) has more often than not been labelled an Impressionist, implying that his music parallels the art of the Impressionist painters; this is because in his work musical colour takes precedence over form and design (Jarocinski, 1976: 11). However, it has been documented that Pelléas et Mélisande is considered to be the masterpiece of French Symbolism (Lesure, 2001). 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