{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/8165"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/8165","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Identity and difference without opposition : constructing and exposing strategic subjectivities for social comic comment","abstract":"This explication is an investigation into comedy as a medium for constructing strategic subjectivities and the potential holds for diffusing experiences of difference in contemporary South African contexts. Our culture is on that encounters difference and often experiences these moments as threatening. Comedy creates the opportunity for engagement with other subjective experiences, however, this potential is in my opinion, mostly wasted and performances tend instead to support the dominant social discourse. By examining the nature of subjectivity and identity within a postmodern, technologically connected culture, the active agency of the audience is kindled by the performer. The strategies of this encounter are discussed in relation to Lawrence Mintz's theories of the licensed spokesperson and the negative exemplar.","abstract_html":"This explication is an investigation into comedy as a medium for constructing strategic subjectivities and the potential holds for diffusing experiences of difference in contemporary South African contexts. Our culture is on that encounters difference and often experiences these moments as threatening. Comedy creates the opportunity for engagement with other subjective experiences, however, this potential is in my opinion, mostly wasted and performances tend instead to support the dominant social discourse. By examining the nature of subjectivity and identity within a postmodern, technologically connected culture, the active agency of the audience is kindled by the performer. The strategies of this encounter are discussed in relation to Lawrence Mintz's theories of the licensed spokesperson and the negative exemplar.","abstract_has_math":false,"creators":["Price, Alicia MV"],"institution":"Department of Drama","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Mills, Liz","Weare, Christopher"],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008","date_published":"2008","updated_at":"2026-07-24T01:33:54Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/8165","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Mills, Liz","Weare, Christopher"]},{"key":"dc:creator","label":"Author","values":["Price, Alicia MV"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-06T11:34:34Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-06T11:34:34Z"]},{"key":"dc:date.issued","label":"Date","values":["2008"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of Drama"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/8165"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes abstract.","Includes bibliographical references (leaves 34-37)."]},{"key":"dc:description.abstract","label":"Abstract","values":["This explication is an investigation into comedy as a medium for constructing strategic subjectivities and the potential holds for diffusing experiences of difference in contemporary South African contexts. Our culture is on that encounters difference and often experiences these moments as threatening. Comedy creates the opportunity for engagement with other subjective experiences, however, this potential is in my opinion, mostly wasted and performances tend instead to support the dominant social discourse. By examining the nature of subjectivity and identity within a postmodern, technologically connected culture, the active agency of the audience is kindled by the performer. The strategies of this encounter are discussed in relation to Lawrence Mintz's theories of the licensed spokesperson and the negative exemplar."]},{"key":"dc:title","label":"Title","values":["Identity and difference without opposition : constructing and exposing strategic subjectivities for social comic comment"]}]}],"canonical_facts":{"dc:contributor.advisor":["Mills, Liz","Weare, Christopher"],"dc:creator":["Price, Alicia MV"],"dc:date.accessioned":["2014-10-06T11:34:34Z"],"dc:date.available":["2014-10-06T11:34:34Z"],"dc:date.issued":["2008"],"dc:description":["Includes abstract.","Includes bibliographical references (leaves 34-37)."],"dc:description.abstract":["This explication is an investigation into comedy as a medium for constructing strategic subjectivities and the potential holds for diffusing experiences of difference in contemporary South African contexts. Our culture is on that encounters difference and often experiences these moments as threatening. Comedy creates the opportunity for engagement with other subjective experiences, however, this potential is in my opinion, mostly wasted and performances tend instead to support the dominant social discourse. By examining the nature of subjectivity and identity within a postmodern, technologically connected culture, the active agency of the audience is kindled by the performer. The strategies of this encounter are discussed in relation to Lawrence Mintz's theories of the licensed spokesperson and the negative exemplar."],"dc:identifier.uri":["http://hdl.handle.net/11427/8165"],"dc:language.iso":["eng"],"dc:publisher.department":["Department of Drama"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Identity and difference without opposition : constructing and exposing strategic subjectivities for social comic comment"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-24T01:33:54Z"}