{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/8157"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/8157","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Theatre of the contact zone : a quest for a means to nurse split psychic spaces in public spheres through the transformation of dramatic texts into performance texts","abstract":"This study is a theoretical explication of an idea of a theatre called Theatre of the Contact Zone. Its main feature is the collaboration between the playwright and the director in the transformation of dramatic texts into performance texts. Within the pragmatics of this theatre the playwright's initial task is to provide a working script. It is only a foundation, the basis, without which the director has nothing to begin coordinating the collaborative process of theatre making. The writing of the script continues through out rehearsals. The final script is compiled after the production incorporating changes made in the course of its transformation into a performance, as well as insights gained through watching the production. The first experiment was through a play called An African Syzygy which I wrote and was directed by Sanjin Muftic (a fellow postgraduate student whose orientation in theatre studies is directing).","abstract_html":"This study is a theoretical explication of an idea of a theatre called Theatre of the Contact Zone. Its main feature is the collaboration between the playwright and the director in the transformation of dramatic texts into performance texts. Within the pragmatics of this theatre the playwright's initial task is to provide a working script. It is only a foundation, the basis, without which the director has nothing to begin coordinating the collaborative process of theatre making. The writing of the script continues through out rehearsals. The final script is compiled after the production incorporating changes made in the course of its transformation into a performance, as well as insights gained through watching the production. The first experiment was through a play called An African Syzygy which I wrote and was directed by Sanjin Muftic (a fellow postgraduate student whose orientation in theatre studies is directing).","abstract_has_math":false,"creators":["Chimoga, Tichaona Ronald Kizito"],"institution":"Department of Drama","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Banning, Yvonne","Singer, Jacque","Pather, Jay"],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007","date_published":"2007","updated_at":"2026-07-22T22:23:14Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/8157","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Banning, Yvonne","Singer, Jacque","Pather, Jay"]},{"key":"dc:creator","label":"Author","values":["Chimoga, Tichaona Ronald Kizito"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-06T11:34:21Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-06T11:34:21Z"]},{"key":"dc:date.issued","label":"Date","values":["2007"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of Drama"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/8157"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references (leaves 65-66)."]},{"key":"dc:description.abstract","label":"Abstract","values":["This study is a theoretical explication of an idea of a theatre called Theatre of the Contact Zone. Its main feature is the collaboration between the playwright and the director in the transformation of dramatic texts into performance texts. Within the pragmatics of this theatre the playwright's initial task is to provide a working script. It is only a foundation, the basis, without which the director has nothing to begin coordinating the collaborative process of theatre making. The writing of the script continues through out rehearsals. The final script is compiled after the production incorporating changes made in the course of its transformation into a performance, as well as insights gained through watching the production. The first experiment was through a play called An African Syzygy which I wrote and was directed by Sanjin Muftic (a fellow postgraduate student whose orientation in theatre studies is directing)."]},{"key":"dc:title","label":"Title","values":["Theatre of the contact zone : a quest for a means to nurse split psychic spaces in public spheres through the transformation of dramatic texts into performance texts"]}]}],"canonical_facts":{"dc:contributor.advisor":["Banning, Yvonne","Singer, Jacque","Pather, Jay"],"dc:creator":["Chimoga, Tichaona Ronald Kizito"],"dc:date.accessioned":["2014-10-06T11:34:21Z"],"dc:date.available":["2014-10-06T11:34:21Z"],"dc:date.issued":["2007"],"dc:description":["Includes bibliographical references (leaves 65-66)."],"dc:description.abstract":["This study is a theoretical explication of an idea of a theatre called Theatre of the Contact Zone. 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The first experiment was through a play called An African Syzygy which I wrote and was directed by Sanjin Muftic (a fellow postgraduate student whose orientation in theatre studies is directing)."],"dc:identifier.uri":["http://hdl.handle.net/11427/8157"],"dc:language.iso":["eng"],"dc:publisher.department":["Department of Drama"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Theatre of the contact zone : a quest for a means to nurse split psychic spaces in public spheres through the transformation of dramatic texts into performance texts"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:14Z"}