{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/8146"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/8146","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present","abstract":"This research project investigates the perception of Norwegian-South African musical interactions. It is an in depth study of four recent cases of musical collaboration between Norwegian and South African musicians with an emphasis on the Norwegian musicians perception of \"the Other\". Furthermore, it is an investigation into the fusion of music within these collaborations by assessing the discernible \"South African flavour\" and \"Norwegian flavour\" and an analysis of how they fuse.","abstract_html":"This research project investigates the perception of Norwegian-South African musical interactions. It is an in depth study of four recent cases of musical collaboration between Norwegian and South African musicians with an emphasis on the Norwegian musicians perception of &quot;the Other&quot;. Furthermore, it is an investigation into the fusion of music within these collaborations by assessing the discernible &quot;South African flavour&quot; and &quot;Norwegian flavour&quot; and an analysis of how they fuse.","abstract_has_math":false,"creators":["Tveitan, Ragnhild Vreim"],"institution":"College of Music","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Nixon, Michael"],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007","date_published":"2007","updated_at":"2026-07-22T22:23:42Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/8146","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Nixon, Michael"]},{"key":"dc:creator","label":"Author","values":["Tveitan, Ragnhild Vreim"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-06T11:32:01Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-06T11:32:01Z"]},{"key":"dc:date.issued","label":"Date","values":["2007"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["College of Music"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MMus"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/8146"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references (leaves 166-186)."]},{"key":"dc:description.abstract","label":"Abstract","values":["This research project investigates the perception of Norwegian-South African musical interactions. It is an in depth study of four recent cases of musical collaboration between Norwegian and South African musicians with an emphasis on the Norwegian musicians perception of \"the Other\". Furthermore, it is an investigation into the fusion of music within these collaborations by assessing the discernible \"South African flavour\" and \"Norwegian flavour\" and an analysis of how they fuse."]},{"key":"dc:title","label":"Title","values":["The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present"]}]}],"canonical_facts":{"dc:contributor.advisor":["Nixon, Michael"],"dc:creator":["Tveitan, Ragnhild Vreim"],"dc:date.accessioned":["2014-10-06T11:32:01Z"],"dc:date.available":["2014-10-06T11:32:01Z"],"dc:date.issued":["2007"],"dc:description":["Includes bibliographical references (leaves 166-186)."],"dc:description.abstract":["This research project investigates the perception of Norwegian-South African musical interactions. It is an in depth study of four recent cases of musical collaboration between Norwegian and South African musicians with an emphasis on the Norwegian musicians perception of \"the Other\". Furthermore, it is an investigation into the fusion of music within these collaborations by assessing the discernible \"South African flavour\" and \"Norwegian flavour\" and an analysis of how they fuse."],"dc:identifier.uri":["http://hdl.handle.net/11427/8146"],"dc:language.iso":["eng"],"dc:publisher.department":["College of Music"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MMus"]},"updated_at":"2026-07-22T22:23:42Z"}