{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/8125"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/8125","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"The cutting edge : deviant realisms and cinematic disruption","abstract":"This thesi explores two possibilities and relates them to each other: infusions of fantasy (or magic, the dream, the ,marvellous) which undermine realism and the use of disruption as a specific strategy for communicating disorder or elusive experience. It examines the expression of both fantasy and disruption with an emphasis on film editing. This study considers editing as the foundation of narrative structure in film, and explores the effects of alternative articulations of space, time and the body in film that deliberately subvert the norms of continuity editing.","abstract_html":"This thesi explores two possibilities and relates them to each other: infusions of fantasy (or magic, the dream, the ,marvellous) which undermine realism and the use of disruption as a specific strategy for communicating disorder or elusive experience. It examines the expression of both fantasy and disruption with an emphasis on film editing. This study considers editing as the foundation of narrative structure in film, and explores the effects of alternative articulations of space, time and the body in film that deliberately subvert the norms of continuity editing.","abstract_has_math":false,"creators":["Watson, Mary"],"institution":"Centre for Film and Media Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Higgins, John"],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007","date_published":"2007","updated_at":"2026-07-22T22:23:14Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/8125","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Higgins, John"]},{"key":"dc:creator","label":"Author","values":["Watson, Mary"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-06T11:25:52Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-06T11:25:52Z"]},{"key":"dc:date.issued","label":"Date","values":["2007"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Centre for Film and Media Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Doctoral Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["PhD"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/8125"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references (leaves 212-225)"]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesi explores two possibilities and relates them to each other: infusions of fantasy (or magic, the dream, the ,marvellous) which undermine realism and the use of disruption as a specific strategy for communicating disorder or elusive experience. It examines the expression of both fantasy and disruption with an emphasis on film editing. This study considers editing as the foundation of narrative structure in film, and explores the effects of alternative articulations of space, time and the body in film that deliberately subvert the norms of continuity editing."]},{"key":"dc:title","label":"Title","values":["The cutting edge : deviant realisms and cinematic disruption"]}]}],"canonical_facts":{"dc:contributor.advisor":["Higgins, John"],"dc:creator":["Watson, Mary"],"dc:date.accessioned":["2014-10-06T11:25:52Z"],"dc:date.available":["2014-10-06T11:25:52Z"],"dc:date.issued":["2007"],"dc:description":["Includes bibliographical references (leaves 212-225)"],"dc:description.abstract":["This thesi explores two possibilities and relates them to each other: infusions of fantasy (or magic, the dream, the ,marvellous) which undermine realism and the use of disruption as a specific strategy for communicating disorder or elusive experience. 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