{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/8079"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/8079","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Letterkunde en die dood : onmoontlikheid en die moontlikhede van die teks","abstract":"The vantage point of this thesis is that literature, as an art form directed at life, at a portrayal of life in all its complexity, is exactly for that reason most closely concerned with death. Being specifically not a study of literature about death, but rather literature and death, it is an inquiry into the manner in which literature treasures death as a condition of its existence. The subtitle expresses the central hypothesis explicitly: The possibilities of the text are largely dependent on the text's commitment to impossibility. The assumption that underpins this formulation is that death is the utmost possibility - the impossibility! - of any cognitive endeavour.","abstract_html":"The vantage point of this thesis is that literature, as an art form directed at life, at a portrayal of life in all its complexity, is exactly for that reason most closely concerned with death. Being specifically not a study of literature about death, but rather literature and death, it is an inquiry into the manner in which literature treasures death as a condition of its existence. The subtitle expresses the central hypothesis explicitly: The possibilities of the text are largely dependent on the text's commitment to impossibility. The assumption that underpins this formulation is that death is the utmost possibility - the impossibility! - of any cognitive endeavour.","abstract_has_math":false,"creators":["Smith, F A H"],"institution":"Afrikaans and Netherlandic Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Snyman, Henning"],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007","date_published":"2007","updated_at":"2026-07-22T22:23:33Z","subjects":[],"languages":["afr"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/8079","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Snyman, Henning"]},{"key":"dc:creator","label":"Author","values":["Smith, F A H"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-06T11:01:49Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-06T11:01:49Z"]},{"key":"dc:date.issued","label":"Date","values":["2007"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Afrikaans and Netherlandic Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Doctoral Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["PhD"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["afr"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/8079"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references (p. 401-416)."]},{"key":"dc:description.abstract","label":"Abstract","values":["The vantage point of this thesis is that literature, as an art form directed at life, at a portrayal of life in all its complexity, is exactly for that reason most closely concerned with death. Being specifically not a study of literature about death, but rather literature and death, it is an inquiry into the manner in which literature treasures death as a condition of its existence. The subtitle expresses the central hypothesis explicitly: The possibilities of the text are largely dependent on the text's commitment to impossibility. The assumption that underpins this formulation is that death is the utmost possibility - the impossibility! - of any cognitive endeavour."]},{"key":"dc:title","label":"Title","values":["Letterkunde en die dood : onmoontlikheid en die moontlikhede van die teks"]}]}],"canonical_facts":{"dc:contributor.advisor":["Snyman, Henning"],"dc:creator":["Smith, F A H"],"dc:date.accessioned":["2014-10-06T11:01:49Z"],"dc:date.available":["2014-10-06T11:01:49Z"],"dc:date.issued":["2007"],"dc:description":["Includes bibliographical references (p. 401-416)."],"dc:description.abstract":["The vantage point of this thesis is that literature, as an art form directed at life, at a portrayal of life in all its complexity, is exactly for that reason most closely concerned with death. Being specifically not a study of literature about death, but rather literature and death, it is an inquiry into the manner in which literature treasures death as a condition of its existence. The subtitle expresses the central hypothesis explicitly: The possibilities of the text are largely dependent on the text's commitment to impossibility. The assumption that underpins this formulation is that death is the utmost possibility - the impossibility! - of any cognitive endeavour."],"dc:identifier.uri":["http://hdl.handle.net/11427/8079"],"dc:language.iso":["afr"],"dc:publisher.department":["Afrikaans and Netherlandic Studies"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Letterkunde en die dood : onmoontlikheid en die moontlikhede van die teks"],"dc:type":["Doctoral Thesis"],"dc:type.qualificationlevel":["Doctoral"],"dc:type.qualificationname":["PhD"]},"updated_at":"2026-07-22T22:23:33Z"}