{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/8034"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/8034","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Breathing space : cross-community professional theatre as a means of dissolving fixed geographical landscapes","abstract":"In this paper, I investigate the idea of cross-community professional theatre as a means of dissolving fixed georgraphical landscapes. Key to this is the synergy between mainstream and community theatre, out of which this idea emerges. I explore how theatre facilitates conversations across differences. 'Differences' encompass questions of geographical, class and racial divides as well as the ideological differences between mainstream and community theatre. Cross-community professional theatre involves working with people from different communities around specific issues. Professional actors work alongside non-professional actors from communities to create a piece of theatre. Community members are involved in the process as well as in the performance. Cross-community refers not only to the exchange between professional actors and non-professional actors, but also to the idea of theatre providing a framework for conversations between different communities.","abstract_html":"In this paper, I investigate the idea of cross-community professional theatre as a means of dissolving fixed georgraphical landscapes. Key to this is the synergy between mainstream and community theatre, out of which this idea emerges. I explore how theatre facilitates conversations across differences. 'Differences' encompass questions of geographical, class and racial divides as well as the ideological differences between mainstream and community theatre. Cross-community professional theatre involves working with people from different communities around specific issues. Professional actors work alongside non-professional actors from communities to create a piece of theatre. Community members are involved in the process as well as in the performance. Cross-community refers not only to the exchange between professional actors and non-professional actors, but also to the idea of theatre providing a framework for conversations between different communities.","abstract_has_math":false,"creators":["Matchett, Sara"],"institution":"Department of Drama","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Banning, Yvonne"],"committee_chairs":[],"committee_members":[],"year":2005,"date_issued":"2005","date_published":"2005","updated_at":"2026-07-22T22:23:18Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/8034","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Banning, Yvonne"]},{"key":"dc:creator","label":"Author","values":["Matchett, Sara"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-03T12:50:12Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-03T12:50:12Z"]},{"key":"dc:date.issued","label":"Date","values":["2005"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of Drama"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/8034"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In this paper, I investigate the idea of cross-community professional theatre as a means of dissolving fixed georgraphical landscapes. Key to this is the synergy between mainstream and community theatre, out of which this idea emerges. I explore how theatre facilitates conversations across differences. 'Differences' encompass questions of geographical, class and racial divides as well as the ideological differences between mainstream and community theatre. Cross-community professional theatre involves working with people from different communities around specific issues. Professional actors work alongside non-professional actors from communities to create a piece of theatre. Community members are involved in the process as well as in the performance. Cross-community refers not only to the exchange between professional actors and non-professional actors, but also to the idea of theatre providing a framework for conversations between different communities."]},{"key":"dc:title","label":"Title","values":["Breathing space : cross-community professional theatre as a means of dissolving fixed geographical landscapes"]}]}],"canonical_facts":{"dc:contributor.advisor":["Banning, Yvonne"],"dc:creator":["Matchett, Sara"],"dc:date.accessioned":["2014-10-03T12:50:12Z"],"dc:date.available":["2014-10-03T12:50:12Z"],"dc:date.issued":["2005"],"dc:description.abstract":["In this paper, I investigate the idea of cross-community professional theatre as a means of dissolving fixed georgraphical landscapes. Key to this is the synergy between mainstream and community theatre, out of which this idea emerges. I explore how theatre facilitates conversations across differences. 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