{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/7968"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/7968","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Behind Indian Teeth' : the use of humour in contemporary Native American film","abstract":"This thesis primarily addresses the use of humour and the comic in four films about contemporary Native Americans, largely by Native Americans (Smoke Signals, Powwow Highway, Medicine River and Dead Man). Emphasis falls on the importance of these types of positive self-representations in counteracting the legacy of stereotyping and appropriation surrounding the image of the Native American, particularly the concept of the stoic, humourless, 'vanished American.' The nature of comedy as a genre rooted in survival and endurance is discussed, and its usefulness in depicting the situation of modem Native Americans is explored - highlighting the presence of comedy in traditional Native American culture that has influenced contemporary experience.","abstract_html":"This thesis primarily addresses the use of humour and the comic in four films about contemporary Native Americans, largely by Native Americans (Smoke Signals, Powwow Highway, Medicine River and Dead Man). Emphasis falls on the importance of these types of positive self-representations in counteracting the legacy of stereotyping and appropriation surrounding the image of the Native American, particularly the concept of the stoic, humourless, &#x27;vanished American.&#x27; The nature of comedy as a genre rooted in survival and endurance is discussed, and its usefulness in depicting the situation of modem Native Americans is explored - highlighting the presence of comedy in traditional Native American culture that has influenced contemporary experience.","abstract_has_math":false,"creators":["Eliot, Geraldine Maynard"],"institution":"Department of English Language and Literature","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Marx, Lesley"],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004","date_published":"2004","updated_at":"2026-07-22T22:22:44Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/7968","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Marx, Lesley"]},{"key":"dc:creator","label":"Author","values":["Eliot, Geraldine Maynard"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-02T13:16:07Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-02T13:16:07Z"]},{"key":"dc:date.issued","label":"Date","values":["2004"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of English Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/7968"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Bibliography: leaves 78-83."]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis primarily addresses the use of humour and the comic in four films about contemporary Native Americans, largely by Native Americans (Smoke Signals, Powwow Highway, Medicine River and Dead Man). Emphasis falls on the importance of these types of positive self-representations in counteracting the legacy of stereotyping and appropriation surrounding the image of the Native American, particularly the concept of the stoic, humourless, 'vanished American.' The nature of comedy as a genre rooted in survival and endurance is discussed, and its usefulness in depicting the situation of modem Native Americans is explored - highlighting the presence of comedy in traditional Native American culture that has influenced contemporary experience."]},{"key":"dc:title","label":"Title","values":["Behind Indian Teeth' : the use of humour in contemporary Native American film"]}]}],"canonical_facts":{"dc:contributor.advisor":["Marx, Lesley"],"dc:creator":["Eliot, Geraldine Maynard"],"dc:date.accessioned":["2014-10-02T13:16:07Z"],"dc:date.available":["2014-10-02T13:16:07Z"],"dc:date.issued":["2004"],"dc:description":["Bibliography: leaves 78-83."],"dc:description.abstract":["This thesis primarily addresses the use of humour and the comic in four films about contemporary Native Americans, largely by Native Americans (Smoke Signals, Powwow Highway, Medicine River and Dead Man). Emphasis falls on the importance of these types of positive self-representations in counteracting the legacy of stereotyping and appropriation surrounding the image of the Native American, particularly the concept of the stoic, humourless, 'vanished American.' The nature of comedy as a genre rooted in survival and endurance is discussed, and its usefulness in depicting the situation of modem Native Americans is explored - highlighting the presence of comedy in traditional Native American culture that has influenced contemporary experience."],"dc:identifier.uri":["http://hdl.handle.net/11427/7968"],"dc:language.iso":["eng"],"dc:publisher.department":["Department of English Language and Literature"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Behind Indian Teeth' : the use of humour in contemporary Native American film"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:22:44Z"}