An analytical study of selected chamber works

This study examines Schoenberg's compositional procedures in selected chamber works written between 1906, when Schoenberg started to move away from tonality, until 1936, when his twelve-tone technique had been firmly established.

Grantor dc:publisher.institution

College of Music

Year dc:date.issued

2001

Author dc:creator

• Mtimkulu, Nosindiso W

Advisor dc:contributor.advisor

• Schoenberg, Arnold

Language dc:language.iso

afr

Handle dc:identifier.uri

http://hdl.handle.net/11427/7891

OAI identifier oai:identifier

oai:open.uct.ac.za:11427/7891