{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/7845"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/7845","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"The new sound : a transcription and analysis of selected solos of Woody Shaw","abstract":"This work is in two parts. The first section consists of ten transcriptions of the solos of the trumpet player Woody Shaw. These have been transcribed by ear directly from the recordings. The second section of the work consists of analyses of the transcriptions. Woody Shaw remains one of the most harmonically progressive jazz trumpet players today, years after his death. Like the great saxophone player John Coltrane, he liked to superimpose tonalities of his own choosing over the original tonality of the music.","abstract_html":"This work is in two parts. The first section consists of ten transcriptions of the solos of the trumpet player Woody Shaw. These have been transcribed by ear directly from the recordings. The second section of the work consists of analyses of the transcriptions. Woody Shaw remains one of the most harmonically progressive jazz trumpet players today, years after his death. Like the great saxophone player John Coltrane, he liked to superimpose tonalities of his own choosing over the original tonality of the music.","abstract_has_math":false,"creators":["Lilley, David"],"institution":"College of Music","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Cassidy, Bruce"],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000","date_published":"2000","updated_at":"2026-07-24T01:33:45Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/7845","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Cassidy, Bruce"]},{"key":"dc:creator","label":"Author","values":["Lilley, David"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-01T07:58:19Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-01T07:58:19Z"]},{"key":"dc:date.issued","label":"Date","values":["2000"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["College of Music"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MMus"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/7845"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Summary in English.|Bibliography: leaf 95."]},{"key":"dc:description.abstract","label":"Abstract","values":["This work is in two parts. 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