{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/7824"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/7824","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Horace in dialogue : a Bakhtinian study of speakers, interlocutors, addressees and audiences in the moralising satires of horace sermones books one and two","abstract":"This thesis examines a selection of poems from both books of Horace's Satires against a backdrop of the dialogic theoretical system conceptualised by the Russian thinker Mikhail Mikhailovich Bakhtin (1895-1975). The thesis proposes examining Horatian satire or sermo, as Horace himself termed his genre, as the 'conversation' that this name implies it is. Bakhtin himself observed that Horace's Satires were one of the works that could be considered ancient forebears of modern novelistic dialogic discourse, although he failed to elaborate on this. The thesis takes its cue from here, and seeks to explore the ways in which Bakhtinian theory can elucidate the many dialogic facets of the Satires of Horace.","abstract_html":"This thesis examines a selection of poems from both books of Horace's Satires against a backdrop of the dialogic theoretical system conceptualised by the Russian thinker Mikhail Mikhailovich Bakhtin (1895-1975). The thesis proposes examining Horatian satire or sermo, as Horace himself termed his genre, as the 'conversation' that this name implies it is. Bakhtin himself observed that Horace's Satires were one of the works that could be considered ancient forebears of modern novelistic dialogic discourse, although he failed to elaborate on this. The thesis takes its cue from here, and seeks to explore the ways in which Bakhtinian theory can elucidate the many dialogic facets of the Satires of Horace.","abstract_has_math":false,"creators":["Sharland, Suzanne Jane"],"institution":"Classical Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Whitaker, Richard"],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000","date_published":"2000","updated_at":"2026-07-22T22:22:41Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/7824","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Whitaker, Richard"]},{"key":"dc:creator","label":"Author","values":["Sharland, Suzanne Jane"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-01T07:54:18Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-01T07:54:18Z"]},{"key":"dc:date.issued","label":"Date","values":["2000"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Classical Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Doctoral Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["PhD"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/7824"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Bibliography: leaves 320-347."]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis examines a selection of poems from both books of Horace's Satires against a backdrop of the dialogic theoretical system conceptualised by the Russian thinker Mikhail Mikhailovich Bakhtin (1895-1975). The thesis proposes examining Horatian satire or sermo, as Horace himself termed his genre, as the 'conversation' that this name implies it is. Bakhtin himself observed that Horace's Satires were one of the works that could be considered ancient forebears of modern novelistic dialogic discourse, although he failed to elaborate on this. 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The thesis proposes examining Horatian satire or sermo, as Horace himself termed his genre, as the 'conversation' that this name implies it is. Bakhtin himself observed that Horace's Satires were one of the works that could be considered ancient forebears of modern novelistic dialogic discourse, although he failed to elaborate on this. The thesis takes its cue from here, and seeks to explore the ways in which Bakhtinian theory can elucidate the many dialogic facets of the Satires of Horace."],"dc:identifier.uri":["http://hdl.handle.net/11427/7824"],"dc:language.iso":["eng"],"dc:publisher.department":["Classical Studies"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Horace in dialogue : a Bakhtinian study of speakers, interlocutors, addressees and audiences in the moralising satires of horace sermones books one and two"],"dc:type":["Doctoral Thesis"],"dc:type.qualificationlevel":["Doctoral"],"dc:type.qualificationname":["PhD"]},"updated_at":"2026-07-22T22:22:41Z"}