{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/7821"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/7821","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Dissonansie in die digkuns van Antjie Krog","abstract":"Anthie Krog's poetry from the beginning caused a stir in the educational, church and academic circles. This was not only because of her forthrightness about sensitive issues, but also because of the new manner in which she used Afrikaans. Dissonance which continually manifests itself in her poetry, reflects the fact that, as a feminist poet in a strongly patriarchal society, she rejects the marginal position of women in a phallogocentric world.","abstract_html":"Anthie Krog&#x27;s poetry from the beginning caused a stir in the educational, church and academic circles. This was not only because of her forthrightness about sensitive issues, but also because of the new manner in which she used Afrikaans. Dissonance which continually manifests itself in her poetry, reflects the fact that, as a feminist poet in a strongly patriarchal society, she rejects the marginal position of women in a phallogocentric world.","abstract_has_math":false,"creators":["Olivier, H M"],"institution":"Afrikaans and Netherlandic Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Hambidge, Joan"],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000","date_published":"2000","updated_at":"2026-07-22T22:23:22Z","subjects":[],"languages":["afr"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/7821","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Hambidge, Joan"]},{"key":"dc:creator","label":"Author","values":["Olivier, H M"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-10-01T07:53:54Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-10-01T07:53:54Z"]},{"key":"dc:date.issued","label":"Date","values":["2000"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Afrikaans and Netherlandic Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["afr"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/7821"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Summary in English.|Bibliography: leaves 155-166."]},{"key":"dc:description.abstract","label":"Abstract","values":["Anthie Krog's poetry from the beginning caused a stir in the educational, church and academic circles. This was not only because of her forthrightness about sensitive issues, but also because of the new manner in which she used Afrikaans. Dissonance which continually manifests itself in her poetry, reflects the fact that, as a feminist poet in a strongly patriarchal society, she rejects the marginal position of women in a phallogocentric world."]},{"key":"dc:title","label":"Title","values":["Dissonansie in die digkuns van Antjie Krog"]}]}],"canonical_facts":{"dc:contributor.advisor":["Hambidge, Joan"],"dc:creator":["Olivier, H M"],"dc:date.accessioned":["2014-10-01T07:53:54Z"],"dc:date.available":["2014-10-01T07:53:54Z"],"dc:date.issued":["2000"],"dc:description":["Summary in English.|Bibliography: leaves 155-166."],"dc:description.abstract":["Anthie Krog's poetry from the beginning caused a stir in the educational, church and academic circles. This was not only because of her forthrightness about sensitive issues, but also because of the new manner in which she used Afrikaans. Dissonance which continually manifests itself in her poetry, reflects the fact that, as a feminist poet in a strongly patriarchal society, she rejects the marginal position of women in a phallogocentric world."],"dc:identifier.uri":["http://hdl.handle.net/11427/7821"],"dc:language.iso":["afr"],"dc:publisher.department":["Afrikaans and Netherlandic Studies"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Dissonansie in die digkuns van Antjie Krog"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:22Z"}