{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/6896"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/6896","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Representations of the East in the poetry of Byron : a study in culture and identity","abstract":"Edward Said's notice of 'orientalism' is explored with reference to a cross-section of Byron's narrative verse, taken chronologically. Particular focus is placed on two textual loci, namely, the concepts of 'culture' and 'identity'. These concepts form the basis of a close reading of both the texts themselves, and the manner in which Byron's personal and textual personas shape the narrative and are in turn influenced by their social context. An additional theme of exile is considered, and forms the bridge between a historical analysis of the verse, and current political reality as it is depicted in JM Coetzee's recent novel, Disgrace.","abstract_html":"Edward Said's notice of 'orientalism' is explored with reference to a cross-section of Byron's narrative verse, taken chronologically. Particular focus is placed on two textual loci, namely, the concepts of 'culture' and 'identity'. These concepts form the basis of a close reading of both the texts themselves, and the manner in which Byron's personal and textual personas shape the narrative and are in turn influenced by their social context. An additional theme of exile is considered, and forms the bridge between a historical analysis of the verse, and current political reality as it is depicted in JM Coetzee's recent novel, Disgrace.","abstract_has_math":false,"creators":["Evans, H G"],"institution":"Department of English Language and Literature","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004","date_published":"2004","updated_at":"2026-07-22T22:22:49Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/6896","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Evans, H G"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-09-03T19:25:04Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-09-03T19:25:04Z"]},{"key":"dc:date.issued","label":"Date","values":["2004"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of English Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/6896"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references."]},{"key":"dc:description.abstract","label":"Abstract","values":["Edward Said's notice of 'orientalism' is explored with reference to a cross-section of Byron's narrative verse, taken chronologically. Particular focus is placed on two textual loci, namely, the concepts of 'culture' and 'identity'. These concepts form the basis of a close reading of both the texts themselves, and the manner in which Byron's personal and textual personas shape the narrative and are in turn influenced by their social context. An additional theme of exile is considered, and forms the bridge between a historical analysis of the verse, and current political reality as it is depicted in JM Coetzee's recent novel, Disgrace."]},{"key":"dc:title","label":"Title","values":["Representations of the East in the poetry of Byron : a study in culture and identity"]}]}],"canonical_facts":{"dc:creator":["Evans, H G"],"dc:date.accessioned":["2014-09-03T19:25:04Z"],"dc:date.available":["2014-09-03T19:25:04Z"],"dc:date.issued":["2004"],"dc:description":["Includes bibliographical references."],"dc:description.abstract":["Edward Said's notice of 'orientalism' is explored with reference to a cross-section of Byron's narrative verse, taken chronologically. Particular focus is placed on two textual loci, namely, the concepts of 'culture' and 'identity'. These concepts form the basis of a close reading of both the texts themselves, and the manner in which Byron's personal and textual personas shape the narrative and are in turn influenced by their social context. An additional theme of exile is considered, and forms the bridge between a historical analysis of the verse, and current political reality as it is depicted in JM Coetzee's recent novel, Disgrace."],"dc:identifier.uri":["http://hdl.handle.net/11427/6896"],"dc:language.iso":["eng"],"dc:publisher.department":["Department of English Language and Literature"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Representations of the East in the poetry of Byron : a study in culture and identity"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:22:49Z"}