{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/42131"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/42131","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Fallen things: delineating veil-wound-womb through sculptural practice","abstract":"Fallen things is an exhibition of sculptural objects and accompanying text that investigates how the overlapping motifs of veil-wound-womb can articulate fragility and the erotic in sculptural practice. This research draws from Christian iconographic traditions of the contact relic and vera icon, Surrealist object theory, and the generative potential of the matrixial effect to examine how these conceptual and practical motifs manifest in contemporary artistic practices. Using a wide range of source images in the written component and working with casting, carving and assemblage; I explore how gravity, temporal moments of contact, and subtle material juxtapositions cultivate a tactile dialogue between materiality and form. Nestled in the grey area between abstraction and figuration, and drawing on Barbara Baert's analysis of material tensions between cloth and skin, wound and womb, material and psychological; this body of work delineates a sculptural practice that is associative and intuitive, evoking surfaces that hover between exterior and interior.","abstract_html":"Fallen things is an exhibition of sculptural objects and accompanying text that investigates how the overlapping motifs of veil-wound-womb can articulate fragility and the erotic in sculptural practice. This research draws from Christian iconographic traditions of the contact relic and vera icon, Surrealist object theory, and the generative potential of the matrixial effect to examine how these conceptual and practical motifs manifest in contemporary artistic practices. Using a wide range of source images in the written component and working with casting, carving and assemblage; I explore how gravity, temporal moments of contact, and subtle material juxtapositions cultivate a tactile dialogue between materiality and form. Nestled in the grey area between abstraction and figuration, and drawing on Barbara Baert's analysis of material tensions between cloth and skin, wound and womb, material and psychological; this body of work delineates a sculptural practice that is associative and intuitive, evoking surfaces that hover between exterior and interior.","abstract_has_math":false,"creators":["Chambers, Kerry Lee Maria"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Langerman, Fritha","Van Der Schijff, Johann"],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025","date_published":"2025","updated_at":"2026-07-22T22:22:44Z","subjects":["Fine art","Sculptural practice"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/42131","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Langerman, Fritha","Van Der Schijff, Johann"]},{"key":"dc:creator","label":"Author","values":["Chambers, Kerry Lee Maria"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-11-06T12:31:18Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-11-06T12:31:18Z"]},{"key":"dc:date.issued","label":"Date","values":["2025"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Thesis / Dissertation"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Fine art","Sculptural practice"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/42131"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Fallen things is an exhibition of sculptural objects and accompanying text that investigates how the overlapping motifs of veil-wound-womb can articulate fragility and the erotic in sculptural practice. This research draws from Christian iconographic traditions of the contact relic and vera icon, Surrealist object theory, and the generative potential of the matrixial effect to examine how these conceptual and practical motifs manifest in contemporary artistic practices. Using a wide range of source images in the written component and working with casting, carving and assemblage; I explore how gravity, temporal moments of contact, and subtle material juxtapositions cultivate a tactile dialogue between materiality and form. Nestled in the grey area between abstraction and figuration, and drawing on Barbara Baert's analysis of material tensions between cloth and skin, wound and womb, material and psychological; this body of work delineates a sculptural practice that is associative and intuitive, evoking surfaces that hover between exterior and interior."]},{"key":"dc:title","label":"Title","values":["Fallen things: delineating veil-wound-womb through sculptural practice"]}]}],"canonical_facts":{"dc:contributor.advisor":["Langerman, Fritha","Van Der Schijff, Johann"],"dc:creator":["Chambers, Kerry Lee Maria"],"dc:date.accessioned":["2025-11-06T12:31:18Z"],"dc:date.available":["2025-11-06T12:31:18Z"],"dc:date.issued":["2025"],"dc:description.abstract":["Fallen things is an exhibition of sculptural objects and accompanying text that investigates how the overlapping motifs of veil-wound-womb can articulate fragility and the erotic in sculptural practice. This research draws from Christian iconographic traditions of the contact relic and vera icon, Surrealist object theory, and the generative potential of the matrixial effect to examine how these conceptual and practical motifs manifest in contemporary artistic practices. Using a wide range of source images in the written component and working with casting, carving and assemblage; I explore how gravity, temporal moments of contact, and subtle material juxtapositions cultivate a tactile dialogue between materiality and form. Nestled in the grey area between abstraction and figuration, and drawing on Barbara Baert's analysis of material tensions between cloth and skin, wound and womb, material and psychological; this body of work delineates a sculptural practice that is associative and intuitive, evoking surfaces that hover between exterior and interior."],"dc:identifier.uri":["http://hdl.handle.net/11427/42131"],"dc:language.iso":["en"],"dc:publisher.department":["Michaelis School of Fine Art"],"dc:publisher.institution":["University of Cape Town"],"dc:subject":["Fine art","Sculptural practice"],"dc:title":["Fallen things: delineating veil-wound-womb through sculptural practice"],"dc:type":["Thesis / Dissertation"],"dc:type.qualificationlevel":["Masters"]},"updated_at":"2026-07-22T22:22:44Z"}