{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/41112"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/41112","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"The Dramaturgy of Evocation: A visual dramaturgical framework","abstract":"This disserta:on sets out to comprehend the complicated processes at work in genera:ng a transforma:onal and immersive theatrical performance, by inves:ga:ng the aspects of materiality, visual language, emo:ons, and signs of haun:ng. The ques:on that prompted the research is: how can we excavate historical tragic events in theatre and dramaturgically posi:on them on stage, to reach ‘evoca:on'? The research considered how the palimpsest of haun:ng as a device improves the in-depth evoca:on of narra:ve, deepens the audience's par:cipa:on, and develops a sense of connec:on between past and present by inves:ga:ng the aspects of history, memory, presence, and intertextuality. The work unpacks strategies of scenographic visuality that allow theatre-makers to engage the audience, s:mulate reflec:on, and elicit a powerful emo:onal reac:on, eventually strengthening the performance's impact and resonance. Through a rage of visual techniques and a mechanism called Pepper's Ghost, this research provides a visual dramaturgical framework as a manifesto, that prefaces a call to ac:on.","abstract_html":"This disserta:on sets out to comprehend the complicated processes at work in genera:ng a transforma:onal and immersive theatrical performance, by inves:ga:ng the aspects of materiality, visual language, emo:ons, and signs of haun:ng. The ques:on that prompted the research is: how can we excavate historical tragic events in theatre and dramaturgically posi:on them on stage, to reach ‘evoca:on'? The research considered how the palimpsest of haun:ng as a device improves the in-depth evoca:on of narra:ve, deepens the audience's par:cipa:on, and develops a sense of connec:on between past and present by inves:ga:ng the aspects of history, memory, presence, and intertextuality. The work unpacks strategies of scenographic visuality that allow theatre-makers to engage the audience, s:mulate reflec:on, and elicit a powerful emo:onal reac:on, eventually strengthening the performance's impact and resonance. Through a rage of visual techniques and a mechanism called Pepper's Ghost, this research provides a visual dramaturgical framework as a manifesto, that prefaces a call to ac:on.","abstract_has_math":false,"creators":["Maponya, Angelinah"],"institution":"Department of Drama","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Fleishman, Mark"],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024","date_published":"2024","updated_at":"2026-07-22T22:22:57Z","subjects":["Education"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/41112","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Fleishman, Mark"]},{"key":"dc:creator","label":"Author","values":["Maponya, Angelinah"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-03-05T12:13:16Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-03-05T12:13:16Z"]},{"key":"dc:date.issued","label":"Date","values":["2024"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of Drama"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Thesis / Dissertation"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Education"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/41112"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This disserta:on sets out to comprehend the complicated processes at work in genera:ng a transforma:onal and immersive theatrical performance, by inves:ga:ng the aspects of materiality, visual language, emo:ons, and signs of haun:ng. The ques:on that prompted the research is: how can we excavate historical tragic events in theatre and dramaturgically posi:on them on stage, to reach ‘evoca:on'? The research considered how the palimpsest of haun:ng as a device improves the in-depth evoca:on of narra:ve, deepens the audience's par:cipa:on, and develops a sense of connec:on between past and present by inves:ga:ng the aspects of history, memory, presence, and intertextuality. The work unpacks strategies of scenographic visuality that allow theatre-makers to engage the audience, s:mulate reflec:on, and elicit a powerful emo:onal reac:on, eventually strengthening the performance's impact and resonance. Through a rage of visual techniques and a mechanism called Pepper's Ghost, this research provides a visual dramaturgical framework as a manifesto, that prefaces a call to ac:on."]},{"key":"dc:title","label":"Title","values":["The Dramaturgy of Evocation: A visual dramaturgical framework"]}]}],"canonical_facts":{"dc:contributor.advisor":["Fleishman, Mark"],"dc:creator":["Maponya, Angelinah"],"dc:date.accessioned":["2025-03-05T12:13:16Z"],"dc:date.available":["2025-03-05T12:13:16Z"],"dc:date.issued":["2024"],"dc:description.abstract":["This disserta:on sets out to comprehend the complicated processes at work in genera:ng a transforma:onal and immersive theatrical performance, by inves:ga:ng the aspects of materiality, visual language, emo:ons, and signs of haun:ng. The ques:on that prompted the research is: how can we excavate historical tragic events in theatre and dramaturgically posi:on them on stage, to reach ‘evoca:on'? The research considered how the palimpsest of haun:ng as a device improves the in-depth evoca:on of narra:ve, deepens the audience's par:cipa:on, and develops a sense of connec:on between past and present by inves:ga:ng the aspects of history, memory, presence, and intertextuality. The work unpacks strategies of scenographic visuality that allow theatre-makers to engage the audience, s:mulate reflec:on, and elicit a powerful emo:onal reac:on, eventually strengthening the performance's impact and resonance. Through a rage of visual techniques and a mechanism called Pepper's Ghost, this research provides a visual dramaturgical framework as a manifesto, that prefaces a call to ac:on."],"dc:identifier.uri":["http://hdl.handle.net/11427/41112"],"dc:publisher.department":["Department of Drama"],"dc:publisher.institution":["University of Cape Town"],"dc:subject":["Education"],"dc:title":["The Dramaturgy of Evocation: A visual dramaturgical framework"],"dc:type":["Thesis / Dissertation"],"dc:type.qualificationlevel":["Masters"]},"updated_at":"2026-07-22T22:22:57Z"}