{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/41033"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/41033","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Hambo buza unyoko: on future Real conditionals","abstract":"Drawing from the photographic archives that belonged to my mother Lizzie Maduna (née Moloi), my late grandmother Elizabeth Masesi Moloi (née Dlamini), my late great aunt, Goguse Letta Ntshangase (née Moloi), I re-envision how the women in my family performed futurity. Although these women lived through colonial and apartheid oppression, these photographic archives show how they created liberatory worlds despite the violence they lived through. My creative work surfaces these archives as a matriarchive, which I argue were created in resistance to the oppressive and dehumanising conditions as a performance of future real conditionals.","abstract_html":"Drawing from the photographic archives that belonged to my mother Lizzie Maduna (née Moloi), my late grandmother Elizabeth Masesi Moloi (née Dlamini), my late great aunt, Goguse Letta Ntshangase (née Moloi), I re-envision how the women in my family performed futurity. Although these women lived through colonial and apartheid oppression, these photographic archives show how they created liberatory worlds despite the violence they lived through. My creative work surfaces these archives as a matriarchive, which I argue were created in resistance to the oppressive and dehumanising conditions as a performance of future real conditionals.","abstract_has_math":false,"creators":["Maduna, Lerato"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Makhubu, Nomusa","Mahashe, George"],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024","date_published":"2024","updated_at":"2026-07-22T22:23:16Z","subjects":["photographic archives","dehumanising conditions","culture","family experience"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/41033","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Makhubu, Nomusa","Mahashe, George"]},{"key":"dc:creator","label":"Author","values":["Maduna, Lerato"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-02-27T11:32:37Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-02-27T11:32:37Z"]},{"key":"dc:date.issued","label":"Date","values":["2024"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Thesis / Dissertation"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters","MA"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["photographic archives","dehumanising conditions","culture","family experience"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/41033"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Drawing from the photographic archives that belonged to my mother Lizzie Maduna (née Moloi), my late grandmother Elizabeth Masesi Moloi (née Dlamini), my late great aunt, Goguse Letta Ntshangase (née Moloi), I re-envision how the women in my family performed futurity. Although these women lived through colonial and apartheid oppression, these photographic archives show how they created liberatory worlds despite the violence they lived through. My creative work surfaces these archives as a matriarchive, which I argue were created in resistance to the oppressive and dehumanising conditions as a performance of future real conditionals."]},{"key":"dc:title","label":"Title","values":["Hambo buza unyoko: on future Real conditionals"]}]}],"canonical_facts":{"dc:contributor.advisor":["Makhubu, Nomusa","Mahashe, George"],"dc:creator":["Maduna, Lerato"],"dc:date.accessioned":["2025-02-27T11:32:37Z"],"dc:date.available":["2025-02-27T11:32:37Z"],"dc:date.issued":["2024"],"dc:description.abstract":["Drawing from the photographic archives that belonged to my mother Lizzie Maduna (née Moloi), my late grandmother Elizabeth Masesi Moloi (née Dlamini), my late great aunt, Goguse Letta Ntshangase (née Moloi), I re-envision how the women in my family performed futurity. Although these women lived through colonial and apartheid oppression, these photographic archives show how they created liberatory worlds despite the violence they lived through. My creative work surfaces these archives as a matriarchive, which I argue were created in resistance to the oppressive and dehumanising conditions as a performance of future real conditionals."],"dc:identifier.uri":["http://hdl.handle.net/11427/41033"],"dc:publisher.department":["Michaelis School of Fine Art"],"dc:publisher.institution":["University of Cape Town"],"dc:subject":["photographic archives","dehumanising conditions","culture","family experience"],"dc:title":["Hambo buza unyoko: on future Real conditionals"],"dc:type":["Thesis / Dissertation"],"dc:type.qualificationlevel":["Masters","MA"]},"updated_at":"2026-07-22T22:23:16Z"}