{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/39257"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/39257","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Working Remains","abstract":"Working Remains grapples with colonial legacies and their remnants inscribed on the cultural, socio-political, and topographical contemporary Cape landscape. The remnants suggested by the project's title pertain to concerns about self, place, labour, and culture that permeate personal, and collective history and memory. Working Remains adopts a self-reflexive and critical approach to representation through painting, installation, sculpture, performance, and video.","abstract_html":"Working Remains grapples with colonial legacies and their remnants inscribed on the cultural, socio-political, and topographical contemporary Cape landscape. The remnants suggested by the project's title pertain to concerns about self, place, labour, and culture that permeate personal, and collective history and memory. Working Remains adopts a self-reflexive and critical approach to representation through painting, installation, sculpture, performance, and video.","abstract_has_math":false,"creators":["Emmett, Rory"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Saptouw, Fabian","Searle Bernadette"],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023","date_published":"2023","updated_at":"2026-07-22T22:23:26Z","subjects":["Fine Arts"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/39257","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Saptouw, Fabian","Searle Bernadette"]},{"key":"dc:creator","label":"Author","values":["Emmett, Rory"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2024-03-27T06:56:44Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2024-03-27T06:56:44Z"]},{"key":"dc:date.issued","label":"Date","values":["2023"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:type","label":"Dc Type","values":["Thesis / Dissertation"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters","Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Fine Arts"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/39257"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Working Remains grapples with colonial legacies and their remnants inscribed on the cultural, socio-political, and topographical contemporary Cape landscape. The remnants suggested by the project's title pertain to concerns about self, place, labour, and culture that permeate personal, and collective history and memory. Working Remains adopts a self-reflexive and critical approach to representation through painting, installation, sculpture, performance, and video."]},{"key":"dc:title","label":"Title","values":["Working Remains"]}]}],"canonical_facts":{"dc:contributor.advisor":["Saptouw, Fabian","Searle Bernadette"],"dc:creator":["Emmett, Rory"],"dc:date.accessioned":["2024-03-27T06:56:44Z"],"dc:date.available":["2024-03-27T06:56:44Z"],"dc:date.issued":["2023"],"dc:description.abstract":["Working Remains grapples with colonial legacies and their remnants inscribed on the cultural, socio-political, and topographical contemporary Cape landscape. The remnants suggested by the project's title pertain to concerns about self, place, labour, and culture that permeate personal, and collective history and memory. Working Remains adopts a self-reflexive and critical approach to representation through painting, installation, sculpture, performance, and video."],"dc:identifier.uri":["http://hdl.handle.net/11427/39257"],"dc:publisher.department":["Michaelis School of Fine Art"],"dc:subject":["Fine Arts"],"dc:title":["Working Remains"],"dc:type":["Thesis / Dissertation"],"dc:type.qualificationlevel":["Masters","Master of Fine Arts"]},"updated_at":"2026-07-22T22:23:26Z"}