{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/30534"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/30534","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Performing Methods of Undress towards a Re-Imagined African Masculine Identity","abstract":"In a continent built on competing patriarchal cultures and traditions, the Eurocentric perspective is dominant. The suit/blazer has become a symbol of morality, power, and class that has centred its position via the violent legacy of colonialism and slavery or as Edward Said defines these legacies, via notions of “cultural imperialism”. The purpose of this paper is to inquire whether an aesthetic change from this ideological legacy would ultimately lead to a change in African masculine embodiments. The research identifies and applies multiple references from different applications of embodied resistance: sartorial displays, fashion design, drapery and theories around the gendered body and its relation to clothing for such a purpose – performed hereas „methods of undress‟.","abstract_html":"In a continent built on competing patriarchal cultures and traditions, the Eurocentric perspective is dominant. The suit/blazer has become a symbol of morality, power, and class that has centred its position via the violent legacy of colonialism and slavery or as Edward Said defines these legacies, via notions of “cultural imperialism”. The purpose of this paper is to inquire whether an aesthetic change from this ideological legacy would ultimately lead to a change in African masculine embodiments. The research identifies and applies multiple references from different applications of embodied resistance: sartorial displays, fashion design, drapery and theories around the gendered body and its relation to clothing for such a purpose – performed hereas „methods of undress‟.","abstract_has_math":false,"creators":["Mabitsela, Lesiba"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Mtshali, Mbongeni"],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019","date_published":"2019","updated_at":"2026-07-22T22:23:22Z","subjects":["Theatre and Performance"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/30534","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Mtshali, Mbongeni"]},{"key":"dc:creator","label":"Author","values":["Mabitsela, Lesiba"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2019-08-26T10:09:09Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2019-08-26T10:09:09Z"]},{"key":"dc:date.issued","label":"Date","values":["2019"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Theatre and Performance"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/30534"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In a continent built on competing patriarchal cultures and traditions, the Eurocentric perspective is dominant. The suit/blazer has become a symbol of morality, power, and class that has centred its position via the violent legacy of colonialism and slavery or as Edward Said defines these legacies, via notions of “cultural imperialism”. The purpose of this paper is to inquire whether an aesthetic change from this ideological legacy would ultimately lead to a change in African masculine embodiments. The research identifies and applies multiple references from different applications of embodied resistance: sartorial displays, fashion design, drapery and theories around the gendered body and its relation to clothing for such a purpose – performed hereas „methods of undress‟."]},{"key":"dc:title","label":"Title","values":["Performing Methods of Undress towards a Re-Imagined African Masculine Identity"]}]}],"canonical_facts":{"dc:contributor.advisor":["Mtshali, Mbongeni"],"dc:creator":["Mabitsela, Lesiba"],"dc:date.accessioned":["2019-08-26T10:09:09Z"],"dc:date.available":["2019-08-26T10:09:09Z"],"dc:date.issued":["2019"],"dc:description.abstract":["In a continent built on competing patriarchal cultures and traditions, the Eurocentric perspective is dominant. The suit/blazer has become a symbol of morality, power, and class that has centred its position via the violent legacy of colonialism and slavery or as Edward Said defines these legacies, via notions of “cultural imperialism”. The purpose of this paper is to inquire whether an aesthetic change from this ideological legacy would ultimately lead to a change in African masculine embodiments. The research identifies and applies multiple references from different applications of embodied resistance: sartorial displays, fashion design, drapery and theories around the gendered body and its relation to clothing for such a purpose – performed hereas „methods of undress‟."],"dc:identifier.uri":["http://hdl.handle.net/11427/30534"],"dc:publisher.department":["Michaelis School of Fine Art"],"dc:subject":["Theatre and Performance"],"dc:title":["Performing Methods of Undress towards a Re-Imagined African Masculine Identity"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["Master of Arts"]},"updated_at":"2026-07-22T22:23:22Z"}