{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/2995"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/2995","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Difference in the prevalence of lower limb injuries in classical ballet dancers with and without lumbar-pelvic stability","abstract":"The grace and ease with which a dancer entertains an audience is deceptive with respect to the sweat and tears shed to achieve such elegance of movement. Ballet demands great flexibility and strength. This is showcased as a story told through movement, full of emotion and expressed to music. As a physiotherapist on watches a ballet in absolute awe of the stresses the human body has to endure. What adaptations are necessary within the musculoskeletal system to allow such movement? Do these adaptations lead to injury?","abstract_html":"The grace and ease with which a dancer entertains an audience is deceptive with respect to the sweat and tears shed to achieve such elegance of movement. Ballet demands great flexibility and strength. This is showcased as a story told through movement, full of emotion and expressed to music. As a physiotherapist on watches a ballet in absolute awe of the stresses the human body has to endure. What adaptations are necessary within the musculoskeletal system to allow such movement? Do these adaptations lead to injury?","abstract_has_math":false,"creators":["Swart, Michelle"],"institution":"Division of Physiotherapy","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Lambert, Mike"],"committee_chairs":[],"committee_members":[],"year":2005,"date_issued":"2005","date_published":"2005","updated_at":"2026-07-22T22:22:46Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/2995","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Lambert, Mike"]},{"key":"dc:creator","label":"Author","values":["Swart, Michelle"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-07-28T14:36:30Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-07-28T14:36:30Z"]},{"key":"dc:date.issued","label":"Date","values":["2005"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Division of Physiotherapy"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MPhil"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/2995"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references (leaves 104-110)."]},{"key":"dc:description.abstract","label":"Abstract","values":["The grace and ease with which a dancer entertains an audience is deceptive with respect to the sweat and tears shed to achieve such elegance of movement. Ballet demands great flexibility and strength. This is showcased as a story told through movement, full of emotion and expressed to music. As a physiotherapist on watches a ballet in absolute awe of the stresses the human body has to endure. What adaptations are necessary within the musculoskeletal system to allow such movement? Do these adaptations lead to injury?"]},{"key":"dc:title","label":"Title","values":["Difference in the prevalence of lower limb injuries in classical ballet dancers with and without lumbar-pelvic stability"]}]}],"canonical_facts":{"dc:contributor.advisor":["Lambert, Mike"],"dc:creator":["Swart, Michelle"],"dc:date.accessioned":["2014-07-28T14:36:30Z"],"dc:date.available":["2014-07-28T14:36:30Z"],"dc:date.issued":["2005"],"dc:description":["Includes bibliographical references (leaves 104-110)."],"dc:description.abstract":["The grace and ease with which a dancer entertains an audience is deceptive with respect to the sweat and tears shed to achieve such elegance of movement. Ballet demands great flexibility and strength. This is showcased as a story told through movement, full of emotion and expressed to music. As a physiotherapist on watches a ballet in absolute awe of the stresses the human body has to endure. 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