{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/25865"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/25865","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Memoria : an exploration of longing, desire and transcience in the everyday","abstract":"This is a very personal body of work from a specifically feminine perspective. I have felt enormous pressure for most of my life to try to maintain what I believe to be an acceptable appearance. I have struggled with my weight and with acne for many years. As a result, I have constantly feared being photographed or being seen without my usual mask of makeup. This has caused me to feel a disjuncture between my inner self and my outward appearance. I have become acutely aware of the face as a mask that can be manipulated in many ways, and of the illusion that lies beneath appearances. As a reaction to what I perceive to be an enormous emphasis on flawless appearances and beauty, in, for example advertising, magazines and film, I have been drawn to the overlooked, the discarded and the decayed in the everyday When sourcing material for this body of work, I have wanted to explore that which I habitually overlook in my everyday life; which has become so familiar that it is rarely noticed. I have particularly wanted to examine the significance of the everyday.","abstract_html":"This is a very personal body of work from a specifically feminine perspective. I have felt enormous pressure for most of my life to try to maintain what I believe to be an acceptable appearance. I have struggled with my weight and with acne for many years. As a result, I have constantly feared being photographed or being seen without my usual mask of makeup. This has caused me to feel a disjuncture between my inner self and my outward appearance. I have become acutely aware of the face as a mask that can be manipulated in many ways, and of the illusion that lies beneath appearances. As a reaction to what I perceive to be an enormous emphasis on flawless appearances and beauty, in, for example advertising, magazines and film, I have been drawn to the overlooked, the discarded and the decayed in the everyday When sourcing material for this body of work, I have wanted to explore that which I habitually overlook in my everyday life; which has become so familiar that it is rarely noticed. I have particularly wanted to examine the significance of the everyday.","abstract_has_math":false,"creators":["Simon, Janet"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Inggs, Stephen"],"committee_chairs":[],"committee_members":[],"year":2001,"date_issued":"2001","date_published":"2001","updated_at":"2026-07-24T01:33:51Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/25865","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Inggs, Stephen"]},{"key":"dc:creator","label":"Author","values":["Simon, Janet"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2017-10-27T14:10:35Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2017-10-27T14:10:35Z"]},{"key":"dc:date.issued","label":"Date","values":["2001"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MFA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/25865"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This is a very personal body of work from a specifically feminine perspective. I have felt enormous pressure for most of my life to try to maintain what I believe to be an acceptable appearance. I have struggled with my weight and with acne for many years. As a result, I have constantly feared being photographed or being seen without my usual mask of makeup. This has caused me to feel a disjuncture between my inner self and my outward appearance. I have become acutely aware of the face as a mask that can be manipulated in many ways, and of the illusion that lies beneath appearances. As a reaction to what I perceive to be an enormous emphasis on flawless appearances and beauty, in, for example advertising, magazines and film, I have been drawn to the overlooked, the discarded and the decayed in the everyday When sourcing material for this body of work, I have wanted to explore that which I habitually overlook in my everyday life; which has become so familiar that it is rarely noticed. I have particularly wanted to examine the significance of the everyday."]},{"key":"dc:title","label":"Title","values":["Memoria : an exploration of longing, desire and transcience in the everyday"]}]}],"canonical_facts":{"dc:contributor.advisor":["Inggs, Stephen"],"dc:creator":["Simon, Janet"],"dc:date.accessioned":["2017-10-27T14:10:35Z"],"dc:date.available":["2017-10-27T14:10:35Z"],"dc:date.issued":["2001"],"dc:description.abstract":["This is a very personal body of work from a specifically feminine perspective. I have felt enormous pressure for most of my life to try to maintain what I believe to be an acceptable appearance. I have struggled with my weight and with acne for many years. As a result, I have constantly feared being photographed or being seen without my usual mask of makeup. This has caused me to feel a disjuncture between my inner self and my outward appearance. I have become acutely aware of the face as a mask that can be manipulated in many ways, and of the illusion that lies beneath appearances. As a reaction to what I perceive to be an enormous emphasis on flawless appearances and beauty, in, for example advertising, magazines and film, I have been drawn to the overlooked, the discarded and the decayed in the everyday When sourcing material for this body of work, I have wanted to explore that which I habitually overlook in my everyday life; which has become so familiar that it is rarely noticed. I have particularly wanted to examine the significance of the everyday."],"dc:identifier.uri":["http://hdl.handle.net/11427/25865"],"dc:language.iso":["eng"],"dc:publisher.department":["Michaelis School of Fine Art"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Memoria : an exploration of longing, desire and transcience in the everyday"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MFA"]},"updated_at":"2026-07-24T01:33:51Z"}