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Centre for Film and Media Studies

Hench

Abstract

dc:description.abstract

Hench, by being set in the espionage genre, and following the henchman of an evil villain, offers a commentary on the modern working world by serving as a metaphor for the corporate workplace. The film follows a lowly henchman, Hank, who learns to challenge this corporate structure by achieving self-respect, thanks to an unlikely friendship with a James-Bond-esque agent. This creative explication explains how Hench achieves commentary on how large corporate structures operate to maintain control over employees, and the effects this has on individuals. It further highlights the tools and techniques used to formulate Hench into a fully realised feature screenplay.

Degree

thesis:*
Grantor dc:publisher.institution
Centre for Film and Media Studies
Year dc:date.issued
2017

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Steyn, Ronan
Advisor dc:contributor.advisor
  • Smit, Alexia

Rights

Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11427/25533
OAI identifier oai:identifier
oai:open.uct.ac.za:11427/25533

Chain of custody

source
Harvested from
University of Cape Town
Base URL
open.uct.ac.za/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Steyn, Ronan. Hench. Centre for Film and Media Studies, 2017. http://hdl.handle.net/11427/25533