{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/22152"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/22152","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Ideological tension in four novels by Saul Bellow","abstract":"This study examines and evaluates critically four novels by Saul Bellow: Dangling Man, The Victim, Herzog and Mr Sammler's Planet. The emphasis is on the tension between certain aspects of modernity to which many of the characters are attracted, and the latent Jewishness of their creator. Bellow's Jewish heritage suggests alternate ways of being to those advocated by the enlightened thought of liberal Humanism, for example, or by one of its offshoots, Existentialism, or by \"wasteland\" ideologies. Bellow propounds certain ideas about the purpose of the novel in various articles, and these are discussed briefly in the introduction. His dismissal of the prophets of doom, those thinkers and writers who are pessimistic about the fate of humankind and the continued existence of the novel, is emphatic and certain. His alternative to apocalyptic thinking and writing presents a view both of life and of the role of the novelist in the twentieth century.","abstract_html":"This study examines and evaluates critically four novels by Saul Bellow: Dangling Man, The Victim, Herzog and Mr Sammler's Planet. The emphasis is on the tension between certain aspects of modernity to which many of the characters are attracted, and the latent Jewishness of their creator. Bellow's Jewish heritage suggests alternate ways of being to those advocated by the enlightened thought of liberal Humanism, for example, or by one of its offshoots, Existentialism, or by "wasteland" ideologies. Bellow propounds certain ideas about the purpose of the novel in various articles, and these are discussed briefly in the introduction. His dismissal of the prophets of doom, those thinkers and writers who are pessimistic about the fate of humankind and the continued existence of the novel, is emphatic and certain. His alternative to apocalyptic thinking and writing presents a view both of life and of the role of the novelist in the twentieth century.","abstract_has_math":false,"creators":["Sacks, June Jocelyn"],"institution":"Department of English Language and Literature","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Glenn, Ian"],"committee_chairs":[],"committee_members":[],"year":1987,"date_issued":"1987","date_published":"1987","updated_at":"2026-07-22T22:23:05Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/22152","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Glenn, Ian"]},{"key":"dc:creator","label":"Author","values":["Sacks, June Jocelyn"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-10-16T09:48:38Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-10-16T09:48:38Z"]},{"key":"dc:date.issued","label":"Date","values":["1987"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of English Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/22152"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Bibliography: pages 212-230."]},{"key":"dc:description.abstract","label":"Abstract","values":["This study examines and evaluates critically four novels by Saul Bellow: Dangling Man, The Victim, Herzog and Mr Sammler's Planet. The emphasis is on the tension between certain aspects of modernity to which many of the characters are attracted, and the latent Jewishness of their creator. Bellow's Jewish heritage suggests alternate ways of being to those advocated by the enlightened thought of liberal Humanism, for example, or by one of its offshoots, Existentialism, or by \"wasteland\" ideologies. Bellow propounds certain ideas about the purpose of the novel in various articles, and these are discussed briefly in the introduction. His dismissal of the prophets of doom, those thinkers and writers who are pessimistic about the fate of humankind and the continued existence of the novel, is emphatic and certain. His alternative to apocalyptic thinking and writing presents a view both of life and of the role of the novelist in the twentieth century."]},{"key":"dc:title","label":"Title","values":["Ideological tension in four novels by Saul Bellow"]}]}],"canonical_facts":{"dc:contributor.advisor":["Glenn, Ian"],"dc:creator":["Sacks, June Jocelyn"],"dc:date.accessioned":["2016-10-16T09:48:38Z"],"dc:date.available":["2016-10-16T09:48:38Z"],"dc:date.issued":["1987"],"dc:description":["Bibliography: pages 212-230."],"dc:description.abstract":["This study examines and evaluates critically four novels by Saul Bellow: Dangling Man, The Victim, Herzog and Mr Sammler's Planet. The emphasis is on the tension between certain aspects of modernity to which many of the characters are attracted, and the latent Jewishness of their creator. Bellow's Jewish heritage suggests alternate ways of being to those advocated by the enlightened thought of liberal Humanism, for example, or by one of its offshoots, Existentialism, or by \"wasteland\" ideologies. Bellow propounds certain ideas about the purpose of the novel in various articles, and these are discussed briefly in the introduction. His dismissal of the prophets of doom, those thinkers and writers who are pessimistic about the fate of humankind and the continued existence of the novel, is emphatic and certain. His alternative to apocalyptic thinking and writing presents a view both of life and of the role of the novelist in the twentieth century."],"dc:identifier.uri":["http://hdl.handle.net/11427/22152"],"dc:language.iso":["eng"],"dc:publisher.department":["Department of English Language and Literature"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Ideological tension in four novels by Saul Bellow"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:05Z"}