Back to results

Department of English Language and Literature

Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons

Abstract

dc:description.abstract

Contemporary life is distinguished by a massive capacity for exchanging information. Increasingly comprehensive, global communication networks allow discrete realities to be linked. These prolific sources of representation generate a "membrane" of mediation, and a formal regime of fragmentation, depthlessness and allusiveness (Chambers, 11). These economic, epistemological and aesthetic conditions constitute postmodernism. This dissertation addresses the theoretical challenge of form by attempting to craft an approach commensurate to such semiotic density (Wollen, 65). Since formalist approaches have been criticised as ahistorical, attention is given to the concept's social dimensions hence the history and production context of communication technology is considered. The inquiry also acknowledges the specificities of its location. The matrix of unfamiliar allusions which characterises the South African experience of American texts, embodies the multi-tiered allusiveness of postmodernist texts. It also illustrates the cult precept that quotation can be appreciated even when its source is not recognized. Cult theorises viewership as active yet ambivalent (Eco, 1988, 454). The initial chapter delineates parameters in postmodernism, narrative, genre and cult theory. Subsequent chapters examine three postmodernist television series: Moonlighting, a detective series, Twin Peaks, a soap opera, and The Simpsons, an animated sitcom. Deploying parody, self-reflexivity and intertextuality, each has a complex relation with genre. Tony Bennett conceives of the latter as zones of sociality which constitute and are constituted by other zones (105). Changes in genre therefore articulate changes in modes of thinking and inscribe different reading strategies.

Degree

thesis:*
Grantor dc:publisher.institution
Department of English Language and Literature
Year dc:date.issued
1995

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Baderoon, Gabeba
Advisor dc:contributor.advisor
  • Bertelsen, Eve

Rights

Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11427/18257
OAI identifier oai:identifier
oai:open.uct.ac.za:11427/18257

Chain of custody

source
Harvested from
University of Cape Town
Base URL
open.uct.ac.za/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Baderoon, Gabeba. Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons. Department of English Language and Literature, 1995. http://hdl.handle.net/11427/18257