{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/17684"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/17684","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Metaphors of the sea : a critical study of five Anglo-Saxon poems","abstract":"The object of this thesis is to contribute to the appreciation of five selected Anglo-Saxon poems - The Wanderer, The Seafarer, Exodus, Andreas, and Beowulf - by analysing their metaphoric use of the sea. Metaphor is an essential and distinctive element of all poetry and, to be genuine, to be alive, and to be ever-interesting, a poem must achieve itself through metaphor. A poem's unique mode of vision is metaphoric, and whatever it communicates we perceive in and through metaphor. This is an axiomatic tenet of the criticism of modern poetry. But criticism of Anglo-Saxon poetry, if it bases its insights on a detailed reference to metaphor, must justify itself on theoretical grounds.","abstract_html":"The object of this thesis is to contribute to the appreciation of five selected Anglo-Saxon poems - The Wanderer, The Seafarer, Exodus, Andreas, and Beowulf - by analysing their metaphoric use of the sea. Metaphor is an essential and distinctive element of all poetry and, to be genuine, to be alive, and to be ever-interesting, a poem must achieve itself through metaphor. A poem's unique mode of vision is metaphoric, and whatever it communicates we perceive in and through metaphor. This is an axiomatic tenet of the criticism of modern poetry. But criticism of Anglo-Saxon poetry, if it bases its insights on a detailed reference to metaphor, must justify itself on theoretical grounds.","abstract_has_math":false,"creators":["Green, Brian Keith"],"institution":"Department of English Language and Literature","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Van der Westhuizen, J E"],"committee_chairs":[],"committee_members":[],"year":1974,"date_issued":"1974","date_published":"1974","updated_at":"2026-07-22T22:23:07Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/17684","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Van der Westhuizen, J E"]},{"key":"dc:creator","label":"Author","values":["Green, Brian Keith"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-03-14T07:05:25Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-03-14T07:05:25Z"]},{"key":"dc:date.issued","label":"Date","values":["1974"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of English Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/17684"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The object of this thesis is to contribute to the appreciation of five selected Anglo-Saxon poems - The Wanderer, The Seafarer, Exodus, Andreas, and Beowulf - by analysing their metaphoric use of the sea. Metaphor is an essential and distinctive element of all poetry and, to be genuine, to be alive, and to be ever-interesting, a poem must achieve itself through metaphor. A poem's unique mode of vision is metaphoric, and whatever it communicates we perceive in and through metaphor. This is an axiomatic tenet of the criticism of modern poetry. But criticism of Anglo-Saxon poetry, if it bases its insights on a detailed reference to metaphor, must justify itself on theoretical grounds."]},{"key":"dc:title","label":"Title","values":["Metaphors of the sea : a critical study of five Anglo-Saxon poems"]}]}],"canonical_facts":{"dc:contributor.advisor":["Van der Westhuizen, J E"],"dc:creator":["Green, Brian Keith"],"dc:date.accessioned":["2016-03-14T07:05:25Z"],"dc:date.available":["2016-03-14T07:05:25Z"],"dc:date.issued":["1974"],"dc:description.abstract":["The object of this thesis is to contribute to the appreciation of five selected Anglo-Saxon poems - The Wanderer, The Seafarer, Exodus, Andreas, and Beowulf - by analysing their metaphoric use of the sea. Metaphor is an essential and distinctive element of all poetry and, to be genuine, to be alive, and to be ever-interesting, a poem must achieve itself through metaphor. A poem's unique mode of vision is metaphoric, and whatever it communicates we perceive in and through metaphor. This is an axiomatic tenet of the criticism of modern poetry. But criticism of Anglo-Saxon poetry, if it bases its insights on a detailed reference to metaphor, must justify itself on theoretical grounds."],"dc:identifier.uri":["http://hdl.handle.net/11427/17684"],"dc:language.iso":["eng"],"dc:publisher.department":["Department of English Language and Literature"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Metaphors of the sea : a critical study of five Anglo-Saxon poems"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:07Z"}