{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/17593"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/17593","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Dickens's comic art: a study of the comic element in Dombey and Son, Little Dorrit, and Great Expectations","abstract":"It is my contention in this thesis that the comic nature of Dickens's mature fiction has not received the degree of attention that its importance warrants. In particular, the questions left unanswered, or to my mind not satisfactorily answered, by modern critics of Dickens are: why does Dickens consistently adopt modes of comedy in his mature works; what are the modes that he adopts; and what are the implications of these modes in terms of his later achievement? Finally, in what way can his vision be judged to be a comic vision?","abstract_html":"It is my contention in this thesis that the comic nature of Dickens's mature fiction has not received the degree of attention that its importance warrants. In particular, the questions left unanswered, or to my mind not satisfactorily answered, by modern critics of Dickens are: why does Dickens consistently adopt modes of comedy in his mature works; what are the modes that he adopts; and what are the implications of these modes in terms of his later achievement? Finally, in what way can his vision be judged to be a comic vision?","abstract_has_math":false,"creators":["McBride, Ian Nicholas"],"institution":"Department of English Language and Literature","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Beatty, Michael"],"committee_chairs":[],"committee_members":[],"year":1981,"date_issued":"1981","date_published":"1981","updated_at":"2026-07-22T22:23:07Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/17593","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Beatty, Michael"]},{"key":"dc:creator","label":"Author","values":["McBride, Ian Nicholas"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-03-09T09:03:45Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-03-09T09:03:45Z"]},{"key":"dc:date.issued","label":"Date","values":["1981"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of English Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/17593"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["It is my contention in this thesis that the comic nature of Dickens's mature fiction has not received the degree of attention that its importance warrants. In particular, the questions left unanswered, or to my mind not satisfactorily answered, by modern critics of Dickens are: why does Dickens consistently adopt modes of comedy in his mature works; what are the modes that he adopts; and what are the implications of these modes in terms of his later achievement? Finally, in what way can his vision be judged to be a comic vision?"]},{"key":"dc:title","label":"Title","values":["Dickens's comic art: a study of the comic element in Dombey and Son, Little Dorrit, and Great Expectations"]}]}],"canonical_facts":{"dc:contributor.advisor":["Beatty, Michael"],"dc:creator":["McBride, Ian Nicholas"],"dc:date.accessioned":["2016-03-09T09:03:45Z"],"dc:date.available":["2016-03-09T09:03:45Z"],"dc:date.issued":["1981"],"dc:description.abstract":["It is my contention in this thesis that the comic nature of Dickens's mature fiction has not received the degree of attention that its importance warrants. 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