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Department of English Language and Literature

The construction of the text, the production of multiple personae and the construction of the self on Bob Dylan's album, Blood on the tracks

Abstract

dc:description.abstract

The construction of the text, the making of multiple personae and the construction of the self on Bob Dylan's album, Blood on the Tracks. Using arguments by theorists such as Roland Barthes, Jacques Derrida, Julia Kristeva and, more importantly, Mikhail Bakhtin, I examine the plurality of discourses on Bob Dylan's album, Blood on the Tracks. This thesis investigates the polyphonic nature of discourses in the form of text, personae and self construction. I argue that the above-mentioned areas of focus are inscribed with a variety of connotations because, ultimately, they rely on intertextual references. This implies that no author can claim sole ownership of a work because all works are made up of a "issue of quotations". I argue this point in reference; not only to Bob Dylan's Blood on the Tracks, but also to the personae he created over the course of his 50-year career. Dylan's personae also influenced many of the characters he created in his songs. They often allude to each other and contribute to the plural way in which his work can be read. Dylan's personae and the self he projects, intentionally or unintentionally, prove to be problematic because it can be read in contradictory ways. I argue that the polyphonic nature of his text, his personae as well as the self he projects (through his lyrics) decentralises Dylan's intentions and places the reader at the centre of the text. The aim of this thesis is to highlight how Dylan's text is constructed as well as the plural ways in which his personae and the self can be interpreted. Through this I wish to show how central the reader is to meaning-making.

Degree

thesis:*
Grantor dc:publisher.institution
Department of English Language and Literature
Year dc:date.issued
2013

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Erfort, Michael David
Advisor dc:contributor.advisor
  • Haupt, Adam

Rights

Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11427/14143
OAI identifier oai:identifier
oai:open.uct.ac.za:11427/14143

Chain of custody

source
Harvested from
University of Cape Town
Base URL
open.uct.ac.za/oai/request
Last updated
2026-07-22
Source record
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citation

Erfort, Michael David. The construction of the text, the production of multiple personae and the construction of the self on Bob Dylan's album, Blood on the tracks. Department of English Language and Literature, 2013. http://hdl.handle.net/11427/14143