{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/12876"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/12876","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"A blurred paradise : insider and outsider perspectives on Paternoster","abstract":"Paternoster is perpetually represented as being a tourist destination primarily through the use of imagery; yet this is often without interrogation of the primary narrative which when examined cracks in the visual façade surface. The overall objective of this research was to review the community conflicts through the use of an insider and outsider approach. This was achieved through using an insider qualitative, consensual, documentary style approach. Fieldwork, participant observation and interviews were used as inroads to the community and to enable the use of photography to explore existing narratives, why they exist and the possibility for alternative narratives. As an owner of property within this community (an insider), one is still categorised as an outsider, as someone not born in the community. This dual role allowed a different interrogation while providing its own challenges of not influencing the research. Further, this contested community with emotional undercurrents embedded in its complex matrix of relationships is further explored through research and interrogation of the perfect picture postcard view. This interrogation uncovers missed opportunities, mistrust, impacts of capitalism, categorisation of people along preconceived lines and a community in strife as it attempts to shift itself from its 19th century comfort zone to the 21st century filled with new economic and social realities. Simultaneously, the research explores the role that insider research presents, as well as the role of the potential biases of the photographer in her ability to create an objective view as possible. This is balanced with being on the outside, on the peripheries of this community and being part of a group that are seen as intruders. This provided a unique opportunity to research the community from a number of angles.","abstract_html":"Paternoster is perpetually represented as being a tourist destination primarily through the use of imagery; yet this is often without interrogation of the primary narrative which when examined cracks in the visual façade surface. The overall objective of this research was to review the community conflicts through the use of an insider and outsider approach. This was achieved through using an insider qualitative, consensual, documentary style approach. Fieldwork, participant observation and interviews were used as inroads to the community and to enable the use of photography to explore existing narratives, why they exist and the possibility for alternative narratives. As an owner of property within this community (an insider), one is still categorised as an outsider, as someone not born in the community. This dual role allowed a different interrogation while providing its own challenges of not influencing the research. Further, this contested community with emotional undercurrents embedded in its complex matrix of relationships is further explored through research and interrogation of the perfect picture postcard view. This interrogation uncovers missed opportunities, mistrust, impacts of capitalism, categorisation of people along preconceived lines and a community in strife as it attempts to shift itself from its 19th century comfort zone to the 21st century filled with new economic and social realities. Simultaneously, the research explores the role that insider research presents, as well as the role of the potential biases of the photographer in her ability to create an objective view as possible. This is balanced with being on the outside, on the peripheries of this community and being part of a group that are seen as intruders. This provided a unique opportunity to research the community from a number of angles.","abstract_has_math":false,"creators":["Smith, Alyson Karen"],"institution":"Centre for Film and Media Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Weinberg, Paul"],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014","date_published":"2014","updated_at":"2026-07-22T22:23:02Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/12876","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Weinberg, Paul"]},{"key":"dc:creator","label":"Author","values":["Smith, Alyson Karen"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-05-26T14:18:03Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-05-26T14:18:03Z"]},{"key":"dc:date.issued","label":"Date","values":["2014"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Centre for Film and Media Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/12876"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references."]},{"key":"dc:description.abstract","label":"Abstract","values":["Paternoster is perpetually represented as being a tourist destination primarily through the use of imagery; yet this is often without interrogation of the primary narrative which when examined cracks in the visual façade surface. The overall objective of this research was to review the community conflicts through the use of an insider and outsider approach. This was achieved through using an insider qualitative, consensual, documentary style approach. Fieldwork, participant observation and interviews were used as inroads to the community and to enable the use of photography to explore existing narratives, why they exist and the possibility for alternative narratives. As an owner of property within this community (an insider), one is still categorised as an outsider, as someone not born in the community. This dual role allowed a different interrogation while providing its own challenges of not influencing the research. Further, this contested community with emotional undercurrents embedded in its complex matrix of relationships is further explored through research and interrogation of the perfect picture postcard view. This interrogation uncovers missed opportunities, mistrust, impacts of capitalism, categorisation of people along preconceived lines and a community in strife as it attempts to shift itself from its 19th century comfort zone to the 21st century filled with new economic and social realities. Simultaneously, the research explores the role that insider research presents, as well as the role of the potential biases of the photographer in her ability to create an objective view as possible. This is balanced with being on the outside, on the peripheries of this community and being part of a group that are seen as intruders. This provided a unique opportunity to research the community from a number of angles."]},{"key":"dc:title","label":"Title","values":["A blurred paradise : insider and outsider perspectives on Paternoster"]}]}],"canonical_facts":{"dc:contributor.advisor":["Weinberg, Paul"],"dc:creator":["Smith, Alyson Karen"],"dc:date.accessioned":["2015-05-26T14:18:03Z"],"dc:date.available":["2015-05-26T14:18:03Z"],"dc:date.issued":["2014"],"dc:description":["Includes bibliographical references."],"dc:description.abstract":["Paternoster is perpetually represented as being a tourist destination primarily through the use of imagery; yet this is often without interrogation of the primary narrative which when examined cracks in the visual façade surface. The overall objective of this research was to review the community conflicts through the use of an insider and outsider approach. This was achieved through using an insider qualitative, consensual, documentary style approach. Fieldwork, participant observation and interviews were used as inroads to the community and to enable the use of photography to explore existing narratives, why they exist and the possibility for alternative narratives. As an owner of property within this community (an insider), one is still categorised as an outsider, as someone not born in the community. This dual role allowed a different interrogation while providing its own challenges of not influencing the research. Further, this contested community with emotional undercurrents embedded in its complex matrix of relationships is further explored through research and interrogation of the perfect picture postcard view. This interrogation uncovers missed opportunities, mistrust, impacts of capitalism, categorisation of people along preconceived lines and a community in strife as it attempts to shift itself from its 19th century comfort zone to the 21st century filled with new economic and social realities. Simultaneously, the research explores the role that insider research presents, as well as the role of the potential biases of the photographer in her ability to create an objective view as possible. This is balanced with being on the outside, on the peripheries of this community and being part of a group that are seen as intruders. This provided a unique opportunity to research the community from a number of angles."],"dc:identifier.uri":["http://hdl.handle.net/11427/12876"],"dc:language.iso":["eng"],"dc:publisher.department":["Centre for Film and Media Studies"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["A blurred paradise : insider and outsider perspectives on Paternoster"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:02Z"}