{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/12686"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/12686","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Baroque and piccolo trumpet : an historical analysis with emphasis on performance practice and teaching techniques","abstract":"This dissertation is not only an historical comparison between the trumpets used in the baroque period and those used in our present century, but attempts to focus on how performance techniques have changed and the implications of these changes for trumpeters who wish to perform the baroque repertoire in an \"authentic\" style. The recent construction and availability of high quality prototype baroque trumpets, has enabled many to relearn the difficult art and has added yet another important dimension to the teaching pedagogy of trumpet.","abstract_html":"This dissertation is not only an historical comparison between the trumpets used in the baroque period and those used in our present century, but attempts to focus on how performance techniques have changed and the implications of these changes for trumpeters who wish to perform the baroque repertoire in an "authentic" style. The recent construction and availability of high quality prototype baroque trumpets, has enabled many to relearn the difficult art and has added yet another important dimension to the teaching pedagogy of trumpet.","abstract_has_math":false,"creators":["Postema, Darren Anthony"],"institution":"College of Music","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Kierman, Sean"],"committee_chairs":[],"committee_members":[],"year":1992,"date_issued":"1992","date_published":"1992","updated_at":"2026-07-22T22:23:34Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/12686","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Kierman, Sean"]},{"key":"dc:creator","label":"Author","values":["Postema, Darren Anthony"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-04-09T06:17:32Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-04-09T06:17:32Z"]},{"key":"dc:date.issued","label":"Date","values":["1992"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["College of Music"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MMus"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/12686"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Bibliography: leaves 62-64"]},{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation is not only an historical comparison between the trumpets used in the baroque period and those used in our present century, but attempts to focus on how performance techniques have changed and the implications of these changes for trumpeters who wish to perform the baroque repertoire in an \"authentic\" style. The recent construction and availability of high quality prototype baroque trumpets, has enabled many to relearn the difficult art and has added yet another important dimension to the teaching pedagogy of trumpet."]},{"key":"dc:title","label":"Title","values":["Baroque and piccolo trumpet : an historical analysis with emphasis on performance practice and teaching techniques"]}]}],"canonical_facts":{"dc:contributor.advisor":["Kierman, Sean"],"dc:creator":["Postema, Darren Anthony"],"dc:date.accessioned":["2015-04-09T06:17:32Z"],"dc:date.available":["2015-04-09T06:17:32Z"],"dc:date.issued":["1992"],"dc:description":["Bibliography: leaves 62-64"],"dc:description.abstract":["This dissertation is not only an historical comparison between the trumpets used in the baroque period and those used in our present century, but attempts to focus on how performance techniques have changed and the implications of these changes for trumpeters who wish to perform the baroque repertoire in an \"authentic\" style. The recent construction and availability of high quality prototype baroque trumpets, has enabled many to relearn the difficult art and has added yet another important dimension to the teaching pedagogy of trumpet."],"dc:identifier.uri":["http://hdl.handle.net/11427/12686"],"dc:language.iso":["eng"],"dc:publisher.department":["College of Music"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Baroque and piccolo trumpet : an historical analysis with emphasis on performance practice and teaching techniques"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MMus"]},"updated_at":"2026-07-22T22:23:34Z"}