{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/12520"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/12520","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Venus revisited : reflecting sights/sites of beauty and its embodiments","abstract":"In this project the idealised body of Venus represents an uncomfortable whole. She symbolises the richly divergent, contrasting, and often thematic concerns of female beauty that my, work has attempted to represent. She signifies arid originates the centuries of fluctuating meaning and contesting truths about women and the way in which they are represented that are at the centre of my research - in an image that resists resolution. As the title of the body of practical work implies, Venus Revisited points to a journey of return. It refers to a recurrence of ideas about the idealised female body informed by its origins in Greek myth. Venus still informs current Western visual culture - the female body remains 'the map on which we mark our meanings' (Mullins, 1985: 331).","abstract_html":"In this project the idealised body of Venus represents an uncomfortable whole. She symbolises the richly divergent, contrasting, and often thematic concerns of female beauty that my, work has attempted to represent. She signifies arid originates the centuries of fluctuating meaning and contesting truths about women and the way in which they are represented that are at the centre of my research - in an image that resists resolution. As the title of the body of practical work implies, Venus Revisited points to a journey of return. It refers to a recurrence of ideas about the idealised female body informed by its origins in Greek myth. Venus still informs current Western visual culture - the female body remains 'the map on which we mark our meanings' (Mullins, 1985: 331).","abstract_has_math":false,"creators":["Van der Westhuizen, Cara"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Inggs, Stephen"],"committee_chairs":[],"committee_members":[],"year":2006,"date_issued":"2006","date_published":"2006","updated_at":"2026-07-22T22:22:51Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/12520","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Inggs, Stephen"]},{"key":"dc:creator","label":"Author","values":["Van der Westhuizen, Cara"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-02-17T13:05:18Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-02-17T13:05:18Z"]},{"key":"dc:date.issued","label":"Date","values":["2006"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/12520"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references (p. 82-86)."]},{"key":"dc:description.abstract","label":"Abstract","values":["In this project the idealised body of Venus represents an uncomfortable whole. She symbolises the richly divergent, contrasting, and often thematic concerns of female beauty that my, work has attempted to represent. She signifies arid originates the centuries of fluctuating meaning and contesting truths about women and the way in which they are represented that are at the centre of my research - in an image that resists resolution. As the title of the body of practical work implies, Venus Revisited points to a journey of return. It refers to a recurrence of ideas about the idealised female body informed by its origins in Greek myth. 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