{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/12354"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/12354","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"The repertoire of Kayamba Africa: contemporary reworking of traditional musics in Nairobi","abstract":"This research focuses on Kayamba Africa's repertoire of reworked traditional songs in Nairobi, where they are based. The study involved extensive literature and field research through library and online research, participant observation, interviews, data analysis and transcriptions. Three live performances of Kayamba Africa were analysed: a wedding reception and state function and an edited DVD recording. An analysis of Kayamba Africa's three recordings, namely 'Omutun', 'Wakarir&#361;' and 'Ngul&#361;', from the album Kayamba Africa was conducted. This analysis observed and compared different interpretations and translations of the songs' texts sourced from different research consultants, as well as Kayamba Africa's musical structure and recordings of Boniface Mganga's choral arrangement of Ngul&#361; and Hugh Tracey's recording of 'R&#361;imbo rwa ng&#361;'.","abstract_html":"This research focuses on Kayamba Africa&#x27;s repertoire of reworked traditional songs in Nairobi, where they are based. The study involved extensive literature and field research through library and online research, participant observation, interviews, data analysis and transcriptions. Three live performances of Kayamba Africa were analysed: a wedding reception and state function and an edited DVD recording. An analysis of Kayamba Africa&#x27;s three recordings, namely &#x27;Omutun&#x27;, &#x27;Wakarir&amp;#361;&#x27; and &#x27;Ngul&amp;#361;&#x27;, from the album Kayamba Africa was conducted. This analysis observed and compared different interpretations and translations of the songs&#x27; texts sourced from different research consultants, as well as Kayamba Africa&#x27;s musical structure and recordings of Boniface Mganga&#x27;s choral arrangement of Ngul&amp;#361; and Hugh Tracey&#x27;s recording of &#x27;R&amp;#361;imbo rwa ng&amp;#361;&#x27;.","abstract_has_math":false,"creators":["Maina, Christine Wambui"],"institution":"College of Music","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Nixon, Michael"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-22T22:22:42Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/12354","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Nixon, Michael"]},{"key":"dc:creator","label":"Author","values":["Maina, Christine Wambui"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-02-03T18:35:06Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-02-03T18:35:06Z"]},{"key":"dc:date.issued","label":"Date","values":["2012"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["College of Music"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MMus"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/12354"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references."]},{"key":"dc:description.abstract","label":"Abstract","values":["This research focuses on Kayamba Africa's repertoire of reworked traditional songs in Nairobi, where they are based. The study involved extensive literature and field research through library and online research, participant observation, interviews, data analysis and transcriptions. Three live performances of Kayamba Africa were analysed: a wedding reception and state function and an edited DVD recording. An analysis of Kayamba Africa's three recordings, namely 'Omutun', 'Wakarir&#361;' and 'Ngul&#361;', from the album Kayamba Africa was conducted. This analysis observed and compared different interpretations and translations of the songs' texts sourced from different research consultants, as well as Kayamba Africa's musical structure and recordings of Boniface Mganga's choral arrangement of Ngul&#361; and Hugh Tracey's recording of 'R&#361;imbo rwa ng&#361;'."]},{"key":"dc:title","label":"Title","values":["The repertoire of Kayamba Africa: contemporary reworking of traditional musics in Nairobi"]}]}],"canonical_facts":{"dc:contributor.advisor":["Nixon, Michael"],"dc:creator":["Maina, Christine Wambui"],"dc:date.accessioned":["2015-02-03T18:35:06Z"],"dc:date.available":["2015-02-03T18:35:06Z"],"dc:date.issued":["2012"],"dc:description":["Includes bibliographical references."],"dc:description.abstract":["This research focuses on Kayamba Africa's repertoire of reworked traditional songs in Nairobi, where they are based. The study involved extensive literature and field research through library and online research, participant observation, interviews, data analysis and transcriptions. Three live performances of Kayamba Africa were analysed: a wedding reception and state function and an edited DVD recording. An analysis of Kayamba Africa's three recordings, namely 'Omutun', 'Wakarir&#361;' and 'Ngul&#361;', from the album Kayamba Africa was conducted. This analysis observed and compared different interpretations and translations of the songs' texts sourced from different research consultants, as well as Kayamba Africa's musical structure and recordings of Boniface Mganga's choral arrangement of Ngul&#361; and Hugh Tracey's recording of 'R&#361;imbo rwa ng&#361;'."],"dc:identifier.uri":["http://hdl.handle.net/11427/12354"],"dc:language.iso":["eng"],"dc:publisher.department":["College of Music"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["The repertoire of Kayamba Africa: contemporary reworking of traditional musics in Nairobi"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MMus"]},"updated_at":"2026-07-22T22:22:42Z"}