{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/12322"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/12322","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"The cannibals' banquet","abstract":"In this project I have attempted to determine and analyse my own \"mechanisms of filtering, selecting and assembling\" (Hoptman 2007: 128). The cannibals' banquet consists of a practical body of work and an artist's book. The function of the artist's book is to contextualise my creative practice within a theoretical and historical context. My area of interest is assemblage and its relation to consumption. A primary attribute of consumption is that it is premised upon the creation of a constant desire for new things. The corollary of this process is a mass of obsolete or 'dead' objects, which are discarded to make room for these recent acquisitions, ending up in scrap yards, second hand shops and flea markets. My interest is in what I perceive as an integral relationship between the origins and development of assemblage and that of a consumer society, since both function within object relations. With object relations I mean the interaction between people and objects as although objects themselves are lifeless, the relationship between an object and a person is animated through the assignment of meaning to an object by a person. In this sense the object stands in relation to the person who projects certain attributes onto it as the carrier of such meanings. The same object could conceivably hold completely different meanings assigned to it by different individuals at the same time.","abstract_html":"In this project I have attempted to determine and analyse my own "mechanisms of filtering, selecting and assembling" (Hoptman 2007: 128). The cannibals' banquet consists of a practical body of work and an artist's book. The function of the artist's book is to contextualise my creative practice within a theoretical and historical context. My area of interest is assemblage and its relation to consumption. A primary attribute of consumption is that it is premised upon the creation of a constant desire for new things. The corollary of this process is a mass of obsolete or 'dead' objects, which are discarded to make room for these recent acquisitions, ending up in scrap yards, second hand shops and flea markets. My interest is in what I perceive as an integral relationship between the origins and development of assemblage and that of a consumer society, since both function within object relations. With object relations I mean the interaction between people and objects as although objects themselves are lifeless, the relationship between an object and a person is animated through the assignment of meaning to an object by a person. In this sense the object stands in relation to the person who projects certain attributes onto it as the carrier of such meanings. The same object could conceivably hold completely different meanings assigned to it by different individuals at the same time.","abstract_has_math":false,"creators":["Grobler, Isabelle Christine"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Langerman, Fritha","Alexander, Jane"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-22T22:23:04Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/12322","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Langerman, Fritha","Alexander, Jane"]},{"key":"dc:creator","label":"Author","values":["Grobler, Isabelle Christine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-27T09:59:26Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-27T09:59:26Z"]},{"key":"dc:date.issued","label":"Date","values":["2012"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/12322"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references."]},{"key":"dc:description.abstract","label":"Abstract","values":["In this project I have attempted to determine and analyse my own \"mechanisms of filtering, selecting and assembling\" (Hoptman 2007: 128). The cannibals' banquet consists of a practical body of work and an artist's book. The function of the artist's book is to contextualise my creative practice within a theoretical and historical context. My area of interest is assemblage and its relation to consumption. A primary attribute of consumption is that it is premised upon the creation of a constant desire for new things. The corollary of this process is a mass of obsolete or 'dead' objects, which are discarded to make room for these recent acquisitions, ending up in scrap yards, second hand shops and flea markets. My interest is in what I perceive as an integral relationship between the origins and development of assemblage and that of a consumer society, since both function within object relations. With object relations I mean the interaction between people and objects as although objects themselves are lifeless, the relationship between an object and a person is animated through the assignment of meaning to an object by a person. In this sense the object stands in relation to the person who projects certain attributes onto it as the carrier of such meanings. The same object could conceivably hold completely different meanings assigned to it by different individuals at the same time."]},{"key":"dc:title","label":"Title","values":["The cannibals' banquet"]}]}],"canonical_facts":{"dc:contributor.advisor":["Langerman, Fritha","Alexander, Jane"],"dc:creator":["Grobler, Isabelle Christine"],"dc:date.accessioned":["2015-01-27T09:59:26Z"],"dc:date.available":["2015-01-27T09:59:26Z"],"dc:date.issued":["2012"],"dc:description":["Includes bibliographical references."],"dc:description.abstract":["In this project I have attempted to determine and analyse my own \"mechanisms of filtering, selecting and assembling\" (Hoptman 2007: 128). The cannibals' banquet consists of a practical body of work and an artist's book. The function of the artist's book is to contextualise my creative practice within a theoretical and historical context. My area of interest is assemblage and its relation to consumption. A primary attribute of consumption is that it is premised upon the creation of a constant desire for new things. The corollary of this process is a mass of obsolete or 'dead' objects, which are discarded to make room for these recent acquisitions, ending up in scrap yards, second hand shops and flea markets. My interest is in what I perceive as an integral relationship between the origins and development of assemblage and that of a consumer society, since both function within object relations. With object relations I mean the interaction between people and objects as although objects themselves are lifeless, the relationship between an object and a person is animated through the assignment of meaning to an object by a person. In this sense the object stands in relation to the person who projects certain attributes onto it as the carrier of such meanings. The same object could conceivably hold completely different meanings assigned to it by different individuals at the same time."],"dc:identifier.uri":["http://hdl.handle.net/11427/12322"],"dc:language.iso":["eng"],"dc:publisher.department":["Michaelis School of Fine Art"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["The cannibals' banquet"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:04Z"}