{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/12316"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/12316","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Begging for change: engaging with Johannesburg in post-apartheid South African film","abstract":"The city of Johannesburg is globally identified with issues of inequality, prejudice and transformation. This identification is reinforced by the city's representation in film, in particular those of the post-apartheid era, which tend to emphasize the city's problems. The transformative power of living in Johannesburg, in particular how this experience impacts and shifts the personalities and experiences of the city's inhabitants, is often ignored. This thesis sets out to explore and analyse the consequences of engagement with Johannesburg by exploring the impact of the city on the protagonists in four post-apartheid Johannesburg films. The films that will be analysed - Jump the Gun (1996), Hijack Stories (2000), Tsotsi (2005), and District 9 (2009) - portray life in post-apartheid Johannesburg. These films were chosen because they have narratives that illustrate character transformation through exposure to the city of Johannesburg. The decision to focus on films that depict this era is deliberate, and I have done this in order to identify a new way of living in Johannesburg that is unique to this time period. In addition, the spread of years highlights how the experience of living in Johannesburg has changed over time.","abstract_html":"The city of Johannesburg is globally identified with issues of inequality, prejudice and transformation. This identification is reinforced by the city's representation in film, in particular those of the post-apartheid era, which tend to emphasize the city's problems. The transformative power of living in Johannesburg, in particular how this experience impacts and shifts the personalities and experiences of the city's inhabitants, is often ignored. This thesis sets out to explore and analyse the consequences of engagement with Johannesburg by exploring the impact of the city on the protagonists in four post-apartheid Johannesburg films. The films that will be analysed - Jump the Gun (1996), Hijack Stories (2000), Tsotsi (2005), and District 9 (2009) - portray life in post-apartheid Johannesburg. These films were chosen because they have narratives that illustrate character transformation through exposure to the city of Johannesburg. The decision to focus on films that depict this era is deliberate, and I have done this in order to identify a new way of living in Johannesburg that is unique to this time period. In addition, the spread of years highlights how the experience of living in Johannesburg has changed over time.","abstract_has_math":false,"creators":["Herman, Daniel David"],"institution":"Centre for Film and Media Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Rijsdijk, Ian-Malcolm"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-22T22:22:41Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/12316","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Rijsdijk, Ian-Malcolm"]},{"key":"dc:creator","label":"Author","values":["Herman, Daniel David"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-27T09:37:36Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-27T09:37:36Z"]},{"key":"dc:date.issued","label":"Date","values":["2012"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Centre for Film and Media Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/12316"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references."]},{"key":"dc:description.abstract","label":"Abstract","values":["The city of Johannesburg is globally identified with issues of inequality, prejudice and transformation. This identification is reinforced by the city's representation in film, in particular those of the post-apartheid era, which tend to emphasize the city's problems. The transformative power of living in Johannesburg, in particular how this experience impacts and shifts the personalities and experiences of the city's inhabitants, is often ignored. This thesis sets out to explore and analyse the consequences of engagement with Johannesburg by exploring the impact of the city on the protagonists in four post-apartheid Johannesburg films. The films that will be analysed - Jump the Gun (1996), Hijack Stories (2000), Tsotsi (2005), and District 9 (2009) - portray life in post-apartheid Johannesburg. These films were chosen because they have narratives that illustrate character transformation through exposure to the city of Johannesburg. The decision to focus on films that depict this era is deliberate, and I have done this in order to identify a new way of living in Johannesburg that is unique to this time period. In addition, the spread of years highlights how the experience of living in Johannesburg has changed over time."]},{"key":"dc:title","label":"Title","values":["Begging for change: engaging with Johannesburg in post-apartheid South African film"]}]}],"canonical_facts":{"dc:contributor.advisor":["Rijsdijk, Ian-Malcolm"],"dc:creator":["Herman, Daniel David"],"dc:date.accessioned":["2015-01-27T09:37:36Z"],"dc:date.available":["2015-01-27T09:37:36Z"],"dc:date.issued":["2012"],"dc:description":["Includes bibliographical references."],"dc:description.abstract":["The city of Johannesburg is globally identified with issues of inequality, prejudice and transformation. This identification is reinforced by the city's representation in film, in particular those of the post-apartheid era, which tend to emphasize the city's problems. The transformative power of living in Johannesburg, in particular how this experience impacts and shifts the personalities and experiences of the city's inhabitants, is often ignored. This thesis sets out to explore and analyse the consequences of engagement with Johannesburg by exploring the impact of the city on the protagonists in four post-apartheid Johannesburg films. The films that will be analysed - Jump the Gun (1996), Hijack Stories (2000), Tsotsi (2005), and District 9 (2009) - portray life in post-apartheid Johannesburg. These films were chosen because they have narratives that illustrate character transformation through exposure to the city of Johannesburg. The decision to focus on films that depict this era is deliberate, and I have done this in order to identify a new way of living in Johannesburg that is unique to this time period. In addition, the spread of years highlights how the experience of living in Johannesburg has changed over time."],"dc:identifier.uri":["http://hdl.handle.net/11427/12316"],"dc:language.iso":["eng"],"dc:publisher.department":["Centre for Film and Media Studies"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Begging for change: engaging with Johannesburg in post-apartheid South African film"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:22:41Z"}