{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/12002"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/12002","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Documenting gay identity through the cinematic lens an investigation of representations of South African gay identities through film","abstract":"This paper looks to delve into a rounded exploration of a queer cinematic culture in the post-apartheid era. Through an appreciation of South African cinematic history, the socio-political seems intertwined in the very fibre of this cinematic history; with factors such as race, class, wealth distribution, policy, legislation and conditions of production etc. playing an active role in shaping this history. Sexuality is another facet, in very subtle terms, which has contributed, influenced and scripted the historical make up and character of South African Cinema. I undertake to focus on the interplay between sexuality, cinema and history in an attempt to contextualise (for the purposes of this investigation) how strategies of representation are appropriated in a post-apartheid queer cinema.","abstract_html":"This paper looks to delve into a rounded exploration of a queer cinematic culture in the post-apartheid era. Through an appreciation of South African cinematic history, the socio-political seems intertwined in the very fibre of this cinematic history; with factors such as race, class, wealth distribution, policy, legislation and conditions of production etc. playing an active role in shaping this history. Sexuality is another facet, in very subtle terms, which has contributed, influenced and scripted the historical make up and character of South African Cinema. I undertake to focus on the interplay between sexuality, cinema and history in an attempt to contextualise (for the purposes of this investigation) how strategies of representation are appropriated in a post-apartheid queer cinema.","abstract_has_math":false,"creators":["Tohlang, Saint-Francis"],"institution":"Centre for Film and Media Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Botha, Martin"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-22T22:22:54Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/12002","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Botha, Martin"]},{"key":"dc:creator","label":"Author","values":["Tohlang, Saint-Francis"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-10T13:39:00Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-10T13:39:00Z"]},{"key":"dc:date.issued","label":"Date","values":["2012"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Centre for Film and Media Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/12002"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes abstract.","Includes bibliographical references."]},{"key":"dc:description.abstract","label":"Abstract","values":["This paper looks to delve into a rounded exploration of a queer cinematic culture in the post-apartheid era. Through an appreciation of South African cinematic history, the socio-political seems intertwined in the very fibre of this cinematic history; with factors such as race, class, wealth distribution, policy, legislation and conditions of production etc. playing an active role in shaping this history. Sexuality is another facet, in very subtle terms, which has contributed, influenced and scripted the historical make up and character of South African Cinema. I undertake to focus on the interplay between sexuality, cinema and history in an attempt to contextualise (for the purposes of this investigation) how strategies of representation are appropriated in a post-apartheid queer cinema."]},{"key":"dc:title","label":"Title","values":["Documenting gay identity through the cinematic lens an investigation of representations of South African gay identities through film"]}]}],"canonical_facts":{"dc:contributor.advisor":["Botha, Martin"],"dc:creator":["Tohlang, Saint-Francis"],"dc:date.accessioned":["2015-01-10T13:39:00Z"],"dc:date.available":["2015-01-10T13:39:00Z"],"dc:date.issued":["2012"],"dc:description":["Includes abstract.","Includes bibliographical references."],"dc:description.abstract":["This paper looks to delve into a rounded exploration of a queer cinematic culture in the post-apartheid era. Through an appreciation of South African cinematic history, the socio-political seems intertwined in the very fibre of this cinematic history; with factors such as race, class, wealth distribution, policy, legislation and conditions of production etc. playing an active role in shaping this history. Sexuality is another facet, in very subtle terms, which has contributed, influenced and scripted the historical make up and character of South African Cinema. I undertake to focus on the interplay between sexuality, cinema and history in an attempt to contextualise (for the purposes of this investigation) how strategies of representation are appropriated in a post-apartheid queer cinema."],"dc:identifier.uri":["http://hdl.handle.net/11427/12002"],"dc:language.iso":["eng"],"dc:publisher.department":["Centre for Film and Media Studies"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Documenting gay identity through the cinematic lens an investigation of representations of South African gay identities through film"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:22:54Z"}