{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/11950"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/11950","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Shakespeare and the cinema of excess","abstract":"This dissertation examines the notion of excess in film adaptations of Shakespeare's plays. It takes its critical approach from the work of Georges Bataille, who used \"eroticism\" to describe a confrontation with excess that destabilises the individual’s sense of identity. Bataille suggests that art can allow audiences to experience a measure of eroticism by presenting subjects that transgress established taboos and by undermining the formal conventions that allow the audience to interpret the text. This dissertation examines these ideas through an analysis of Julie Taymor's Titus and Roman Polanski’s Macbeth from the perspective of Bataille’s writing on transgression, taboos, and excess. By doing a comparative reading of each play and film, I will examine the meaning of excess in these plays and how this has translated to screen...","abstract_html":"This dissertation examines the notion of excess in film adaptations of Shakespeare's plays. It takes its critical approach from the work of Georges Bataille, who used "eroticism" to describe a confrontation with excess that destabilises the individual’s sense of identity. Bataille suggests that art can allow audiences to experience a measure of eroticism by presenting subjects that transgress established taboos and by undermining the formal conventions that allow the audience to interpret the text. This dissertation examines these ideas through an analysis of Julie Taymor's Titus and Roman Polanski’s Macbeth from the perspective of Bataille’s writing on transgression, taboos, and excess. By doing a comparative reading of each play and film, I will examine the meaning of excess in these plays and how this has translated to screen...","abstract_has_math":false,"creators":["Van Heerden, Jacques"],"institution":"Department of English Language and Literature","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Young, Sandra"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-22T22:23:22Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/11950","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Young, Sandra"]},{"key":"dc:creator","label":"Author","values":["Van Heerden, Jacques"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-10T13:28:37Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-10T13:28:37Z"]},{"key":"dc:date.issued","label":"Date","values":["2012"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of English Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MPhil"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/11950"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references."]},{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation examines the notion of excess in film adaptations of Shakespeare's plays. It takes its critical approach from the work of Georges Bataille, who used \"eroticism\" to describe a confrontation with excess that destabilises the individual’s sense of identity. Bataille suggests that art can allow audiences to experience a measure of eroticism by presenting subjects that transgress established taboos and by undermining the formal conventions that allow the audience to interpret the text. This dissertation examines these ideas through an analysis of Julie Taymor's Titus and Roman Polanski’s Macbeth from the perspective of Bataille’s writing on transgression, taboos, and excess. By doing a comparative reading of each play and film, I will examine the meaning of excess in these plays and how this has translated to screen..."]},{"key":"dc:title","label":"Title","values":["Shakespeare and the cinema of excess"]}]}],"canonical_facts":{"dc:contributor.advisor":["Young, Sandra"],"dc:creator":["Van Heerden, Jacques"],"dc:date.accessioned":["2015-01-10T13:28:37Z"],"dc:date.available":["2015-01-10T13:28:37Z"],"dc:date.issued":["2012"],"dc:description":["Includes bibliographical references."],"dc:description.abstract":["This dissertation examines the notion of excess in film adaptations of Shakespeare's plays. It takes its critical approach from the work of Georges Bataille, who used \"eroticism\" to describe a confrontation with excess that destabilises the individual’s sense of identity. Bataille suggests that art can allow audiences to experience a measure of eroticism by presenting subjects that transgress established taboos and by undermining the formal conventions that allow the audience to interpret the text. This dissertation examines these ideas through an analysis of Julie Taymor's Titus and Roman Polanski’s Macbeth from the perspective of Bataille’s writing on transgression, taboos, and excess. By doing a comparative reading of each play and film, I will examine the meaning of excess in these plays and how this has translated to screen..."],"dc:identifier.uri":["http://hdl.handle.net/11427/11950"],"dc:language.iso":["eng"],"dc:publisher.department":["Department of English Language and Literature"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Shakespeare and the cinema of excess"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MPhil"]},"updated_at":"2026-07-22T22:23:22Z"}