{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/11766"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/11766","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"A critical exposition of historicism and implicit activism in Elundini Lothukela","abstract":"It is the gentle but sharp manner of refutation of negative labels that early Europeans, through negative and undermining othering, attached to the Nguni in South Africa, that was investigated and discovered in this novel, that the author of this thesis is putting under the spotlight here. This thesis seeks to demonstrate that this novel is one radiant example of typical combative, counter-hegemonic, and engage works in Xhosa literature, the kind of resistance and indictment literature where the message on national liberation lies embedded in its and groundwork; in it we see graphic reflections of the pre-colonial Nguni Indigenes in South Africa, their admirable and glorious which manifested itself in a virile political pattern, orderly social-religious systems, and structured industrial practices. We use these aspects to reinforce our exposition of this novel as a work of art that refutes all negative labels that were attached to the Nguni Indigenes.","abstract_html":"It is the gentle but sharp manner of refutation of negative labels that early Europeans, through negative and undermining othering, attached to the Nguni in South Africa, that was investigated and discovered in this novel, that the author of this thesis is putting under the spotlight here. This thesis seeks to demonstrate that this novel is one radiant example of typical combative, counter-hegemonic, and engage works in Xhosa literature, the kind of resistance and indictment literature where the message on national liberation lies embedded in its and groundwork; in it we see graphic reflections of the pre-colonial Nguni Indigenes in South Africa, their admirable and glorious which manifested itself in a virile political pattern, orderly social-religious systems, and structured industrial practices. We use these aspects to reinforce our exposition of this novel as a work of art that refutes all negative labels that were attached to the Nguni Indigenes.","abstract_has_math":false,"creators":["Kwetana, Washington Mntuwoxolo"],"institution":"African Languages and Literatures","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Satyo, S C"],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000","date_published":"2000","updated_at":"2026-07-22T22:22:49Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/11766","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Satyo, S C"]},{"key":"dc:creator","label":"Author","values":["Kwetana, Washington Mntuwoxolo"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-08T19:53:36Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-08T19:53:36Z"]},{"key":"dc:date.issued","label":"Date","values":["2000"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["African Languages and Literatures"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Doctoral Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["PhD"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/11766"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Bibliography: leaves 186-193."]},{"key":"dc:description.abstract","label":"Abstract","values":["It is the gentle but sharp manner of refutation of negative labels that early Europeans, through negative and undermining othering, attached to the Nguni in South Africa, that was investigated and discovered in this novel, that the author of this thesis is putting under the spotlight here. This thesis seeks to demonstrate that this novel is one radiant example of typical combative, counter-hegemonic, and engage works in Xhosa literature, the kind of resistance and indictment literature where the message on national liberation lies embedded in its and groundwork; in it we see graphic reflections of the pre-colonial Nguni Indigenes in South Africa, their admirable and glorious which manifested itself in a virile political pattern, orderly social-religious systems, and structured industrial practices. We use these aspects to reinforce our exposition of this novel as a work of art that refutes all negative labels that were attached to the Nguni Indigenes."]},{"key":"dc:title","label":"Title","values":["A critical exposition of historicism and implicit activism in Elundini Lothukela"]}]}],"canonical_facts":{"dc:contributor.advisor":["Satyo, S C"],"dc:creator":["Kwetana, Washington Mntuwoxolo"],"dc:date.accessioned":["2015-01-08T19:53:36Z"],"dc:date.available":["2015-01-08T19:53:36Z"],"dc:date.issued":["2000"],"dc:description":["Bibliography: leaves 186-193."],"dc:description.abstract":["It is the gentle but sharp manner of refutation of negative labels that early Europeans, through negative and undermining othering, attached to the Nguni in South Africa, that was investigated and discovered in this novel, that the author of this thesis is putting under the spotlight here. This thesis seeks to demonstrate that this novel is one radiant example of typical combative, counter-hegemonic, and engage works in Xhosa literature, the kind of resistance and indictment literature where the message on national liberation lies embedded in its and groundwork; in it we see graphic reflections of the pre-colonial Nguni Indigenes in South Africa, their admirable and glorious which manifested itself in a virile political pattern, orderly social-religious systems, and structured industrial practices. We use these aspects to reinforce our exposition of this novel as a work of art that refutes all negative labels that were attached to the Nguni Indigenes."],"dc:identifier.uri":["http://hdl.handle.net/11427/11766"],"dc:language.iso":["eng"],"dc:publisher.department":["African Languages and Literatures"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["A critical exposition of historicism and implicit activism in Elundini Lothukela"],"dc:type":["Doctoral Thesis"],"dc:type.qualificationlevel":["Doctoral"],"dc:type.qualificationname":["PhD"]},"updated_at":"2026-07-22T22:22:49Z"}