Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town
type: CreativeWork
description: This thesis sets out to develop a framework for the analysis and description of theatre practices evident in selected Cape Town townships during the past six years. Building an account which is both aesthetic and sociological and informed by political intentions; which considers the whole - the gestalt - and which adopts a located orientation; the study sets out to elucidate the theatre's connections to its locality and local culture, its particular organizational and aesthetic character, its idiosyncrasies and performance strengths, its concerns, and its struggle for distinction within the field of theatre in Cape Town.
abstract: This thesis sets out to develop a framework for the analysis and description of theatre practices evident in selected Cape Town townships during the past six years. Building an account which is both aesthetic and sociological and informed by political intentions; which considers the whole - the gestalt - and which adopts a located orientation; the study sets out to elucidate the theatre's connections to its locality and local culture, its particular organizational and aesthetic character, its idiosyncrasies and performance strengths, its concerns, and its struggle for distinction within the field of theatre in Cape Town.
author: Morris, Gay
language: eng
date published: 2010
date modified: 2026-07-22T22:22:42Z
provider: University of Cape Town
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: Department of Drama

PropertyValue
property ID: Handle
value: http://hdl.handle.net/11427/11720