{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/11641"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/11641","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989.","abstract":"This thesis analyses the representation of landscape, place and identity in films set in the Cape between 1947 and 1989. These films are products of a \"white\", largely state-subsidised film industry, although they include a small number of independent, \"alternative\" films. A critical reading of these cinematic \"apartheid landscapes\" provides evidence of the historical context, discourses and values informing their production, as well as the construction and transformation of place and identity in apartheid South Africa.","abstract_html":"This thesis analyses the representation of landscape, place and identity in films set in the Cape between 1947 and 1989. These films are products of a &quot;white&quot;, largely state-subsidised film industry, although they include a small number of independent, &quot;alternative&quot; films. A critical reading of these cinematic &quot;apartheid landscapes&quot; provides evidence of the historical context, discourses and values informing their production, as well as the construction and transformation of place and identity in apartheid South Africa.","abstract_has_math":false,"creators":["Riley, Eustacia"],"institution":"Department of Historical Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Bickford-Smith, Vivian"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-22T22:22:58Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/11641","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Bickford-Smith, Vivian"]},{"key":"dc:creator","label":"Author","values":["Riley, Eustacia"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-06T18:58:52Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-06T18:58:52Z"]},{"key":"dc:date.issued","label":"Date","values":["2012"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of Historical Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Doctoral Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["PhD"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/11641"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes abstract.","Includes bibliographical references."]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis analyses the representation of landscape, place and identity in films set in the Cape between 1947 and 1989. These films are products of a \"white\", largely state-subsidised film industry, although they include a small number of independent, \"alternative\" films. A critical reading of these cinematic \"apartheid landscapes\" provides evidence of the historical context, discourses and values informing their production, as well as the construction and transformation of place and identity in apartheid South Africa."]},{"key":"dc:title","label":"Title","values":["From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989."]}]}],"canonical_facts":{"dc:contributor.advisor":["Bickford-Smith, Vivian"],"dc:creator":["Riley, Eustacia"],"dc:date.accessioned":["2015-01-06T18:58:52Z"],"dc:date.available":["2015-01-06T18:58:52Z"],"dc:date.issued":["2012"],"dc:description":["Includes abstract.","Includes bibliographical references."],"dc:description.abstract":["This thesis analyses the representation of landscape, place and identity in films set in the Cape between 1947 and 1989. These films are products of a \"white\", largely state-subsidised film industry, although they include a small number of independent, \"alternative\" films. A critical reading of these cinematic \"apartheid landscapes\" provides evidence of the historical context, discourses and values informing their production, as well as the construction and transformation of place and identity in apartheid South Africa."],"dc:identifier.uri":["http://hdl.handle.net/11427/11641"],"dc:language.iso":["eng"],"dc:publisher.department":["Department of Historical Studies"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989."],"dc:type":["Doctoral Thesis"],"dc:type.qualificationlevel":["Doctoral"],"dc:type.qualificationname":["PhD"]},"updated_at":"2026-07-22T22:22:58Z"}