{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/11638"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/11638","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Two shadows in the moonlight : music in British film melodrama of the 1940s","abstract":"In this thesis I examine the differences between music in the two cinemas. Concentrating on exemplary films from the late 1930s to the early 1950s, I show how the apparent differences are manifested, and by analysing a number of key British films, I illustrate the modes of musical expression used. There are many ways to approach film music. My own interest lies in the connection between music of the romantic period of the 19th century and what became of it during the 20th. \"Serious\" music from Schoenberg onwards became increasingly dissonant, but the rich melodic tones of romantic music appear to have found a new home in the cinema, and in this thesis I explore how film composers kept the previous traditions alive.","abstract_html":"In this thesis I examine the differences between music in the two cinemas. Concentrating on exemplary films from the late 1930s to the early 1950s, I show how the apparent differences are manifested, and by analysing a number of key British films, I illustrate the modes of musical expression used. There are many ways to approach film music. My own interest lies in the connection between music of the romantic period of the 19th century and what became of it during the 20th. "Serious" music from Schoenberg onwards became increasingly dissonant, but the rich melodic tones of romantic music appear to have found a new home in the cinema, and in this thesis I explore how film composers kept the previous traditions alive.","abstract_has_math":false,"creators":["Morris, John"],"institution":"Centre for Film and Media Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Marx, Lesley"],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008","date_published":"2008","updated_at":"2026-07-22T22:23:19Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/11638","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Marx, Lesley"]},{"key":"dc:creator","label":"Author","values":["Morris, John"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-06T18:58:00Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-06T18:58:00Z"]},{"key":"dc:date.issued","label":"Date","values":["2008"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Centre for Film and Media Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/11638"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references (p. 135-140)."]},{"key":"dc:description.abstract","label":"Abstract","values":["In this thesis I examine the differences between music in the two cinemas. Concentrating on exemplary films from the late 1930s to the early 1950s, I show how the apparent differences are manifested, and by analysing a number of key British films, I illustrate the modes of musical expression used. There are many ways to approach film music. My own interest lies in the connection between music of the romantic period of the 19th century and what became of it during the 20th. \"Serious\" music from Schoenberg onwards became increasingly dissonant, but the rich melodic tones of romantic music appear to have found a new home in the cinema, and in this thesis I explore how film composers kept the previous traditions alive."]},{"key":"dc:title","label":"Title","values":["Two shadows in the moonlight : music in British film melodrama of the 1940s"]}]}],"canonical_facts":{"dc:contributor.advisor":["Marx, Lesley"],"dc:creator":["Morris, John"],"dc:date.accessioned":["2015-01-06T18:58:00Z"],"dc:date.available":["2015-01-06T18:58:00Z"],"dc:date.issued":["2008"],"dc:description":["Includes bibliographical references (p. 135-140)."],"dc:description.abstract":["In this thesis I examine the differences between music in the two cinemas. Concentrating on exemplary films from the late 1930s to the early 1950s, I show how the apparent differences are manifested, and by analysing a number of key British films, I illustrate the modes of musical expression used. There are many ways to approach film music. My own interest lies in the connection between music of the romantic period of the 19th century and what became of it during the 20th. \"Serious\" music from Schoenberg onwards became increasingly dissonant, but the rich melodic tones of romantic music appear to have found a new home in the cinema, and in this thesis I explore how film composers kept the previous traditions alive."],"dc:identifier.uri":["http://hdl.handle.net/11427/11638"],"dc:language.iso":["eng"],"dc:publisher.department":["Centre for Film and Media Studies"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Two shadows in the moonlight : music in British film melodrama of the 1940s"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:19Z"}