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Centre for Film and Media Studies

Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup

Abstract

dc:description.abstract

Representation is fluid;symbolism changes between eras and between news channels. From the negativity of Afro-pessimism and threatening connotations of tribes and rampant warfare, to the notion of untouched wilderness, abundant natural resources, and financial miracles in recent years, Africa has many representations within the media. Sadly, many Africans argue, Western media practitioners tend to present "fatalistic and selectively crude" (Kromah, 2002) representations of Africa, portraying a large and diverse continent as homogeneous (Hammett, 2010), if they represent African realities at all (Golan, 2008). With the FIFA 2010 World Cup held for the first time on the African continent, the Western media spotlight was fixed firmly on South Africa for over a month of continuous, rolling reporting on Western and non-Western news channels. Did this journalism re-engender old stereotypes, symbolism, and language? This study scrutinises five rolling news channels to analyse that very issue, and adds depth and empirical evidence to an under-researched area.

Degree

thesis:*
Grantor dc:publisher.institution
Centre for Film and Media Studies
Year dc:date.issued
2012

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Jones, Bernadine
Advisors dc:contributor.advisor
  • Glenn, Ian
  • Evans, Martha

Rights

Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11427/11488
OAI identifier oai:identifier
oai:open.uct.ac.za:11427/11488

Chain of custody

source
Harvested from
University of Cape Town
Base URL
open.uct.ac.za/oai/request
Last updated
2026-07-22
Source record
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citation

Jones, Bernadine. Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup. Centre for Film and Media Studies, 2012. http://hdl.handle.net/11427/11488