Abstract
dc:description.abstractThis dissertation interrogates the notion of flamenco identity in order to establish a case for the existence of a legitimate flamenco identity outside of Spain, and specifically in South Africa. Verification of the existence of a legitimate flamenco sub-culture in South Africa would add gravitas to the practise of flamenco by South Africans (as well as other outsiders across the globe), helping to shift the unspoken parameters governing who has the right to teach and perform flamenco, and which criteria might be used to decide this.
Degree
thesis:*- Grantor dc:publisher.institution
- School of Dance
- Year dc:date.issued
- 2012
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Holden, Carolyn
- Advisors dc:contributor.advisor
-
- Samuel, Gerard
- Baum, Rob
Rights
- Language dc:language.iso
- eng
Identifiers
dc:identifier.*- Handle dc:identifier.uri
- http://hdl.handle.net/11427/11440
- OAI identifier oai:identifier
- oai:open.uct.ac.za:11427/11440