{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/11209"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/11209","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Uitsig","abstract":"This project considers the landscapes, spaces, structures and lives lived in the suburb of Uitsig on the periphery of the Mother City of Cape Town, and in so doing argues for a consideration of those who not only lived during apartheid, but who live after its demise. In addition to questions of photographic representation, the project also addresses ideas of space, and unarticulated injuries and trauma. Photography is well suited as a medium through which to consider these difficult questions, for in its very inception the medium is one of simultaneous absence and presence.","abstract_html":"This project considers the landscapes, spaces, structures and lives lived in the suburb of Uitsig on the periphery of the Mother City of Cape Town, and in so doing argues for a consideration of those who not only lived during apartheid, but who live after its demise. In addition to questions of photographic representation, the project also addresses ideas of space, and unarticulated injuries and trauma. Photography is well suited as a medium through which to consider these difficult questions, for in its very inception the medium is one of simultaneous absence and presence.","abstract_has_math":false,"creators":["Walters, Ashley"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Josephy, Svea"],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013","date_published":"2013","updated_at":"2026-07-22T22:23:16Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/11209","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Josephy, Svea"]},{"key":"dc:creator","label":"Author","values":["Walters, Ashley"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-03T18:28:57Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-03T18:28:57Z"]},{"key":"dc:date.issued","label":"Date","values":["2013"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/11209"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references."]},{"key":"dc:description.abstract","label":"Abstract","values":["This project considers the landscapes, spaces, structures and lives lived in the suburb of Uitsig on the periphery of the Mother City of Cape Town, and in so doing argues for a consideration of those who not only lived during apartheid, but who live after its demise. In addition to questions of photographic representation, the project also addresses ideas of space, and unarticulated injuries and trauma. Photography is well suited as a medium through which to consider these difficult questions, for in its very inception the medium is one of simultaneous absence and presence."]},{"key":"dc:title","label":"Title","values":["Uitsig"]}]}],"canonical_facts":{"dc:contributor.advisor":["Josephy, Svea"],"dc:creator":["Walters, Ashley"],"dc:date.accessioned":["2015-01-03T18:28:57Z"],"dc:date.available":["2015-01-03T18:28:57Z"],"dc:date.issued":["2013"],"dc:description":["Includes bibliographical references."],"dc:description.abstract":["This project considers the landscapes, spaces, structures and lives lived in the suburb of Uitsig on the periphery of the Mother City of Cape Town, and in so doing argues for a consideration of those who not only lived during apartheid, but who live after its demise. In addition to questions of photographic representation, the project also addresses ideas of space, and unarticulated injuries and trauma. Photography is well suited as a medium through which to consider these difficult questions, for in its very inception the medium is one of simultaneous absence and presence."],"dc:identifier.uri":["http://hdl.handle.net/11427/11209"],"dc:language.iso":["eng"],"dc:publisher.department":["Michaelis School of Fine Art"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Uitsig"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:16Z"}