{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/11199"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/11199","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival","abstract":"Television drama demands a strong sense of story to sustain a viewer’s engagement, and fictional characters are key dramatic vehicles in story construction, yet it remains an area that is severely neglected in terms of both theory and practice at this time in South Africa. I have discovered that the ‘death’ of the South African television character can be attributed (at least in part) to a unique set of challenges facing practitioners. My aim is to discover if the moribund television character can perhaps be resuscitated through the application of a concept called ‘the multiplicity of social self’, which finds its roots in the discipline of social psychology. This written explication and its accompanying experimental television film, Zindzi, are twin sites from which to consider the death and possible revival of contemporary South African television characters.","abstract_html":"Television drama demands a strong sense of story to sustain a viewer’s engagement, and fictional characters are key dramatic vehicles in story construction, yet it remains an area that is severely neglected in terms of both theory and practice at this time in South Africa. I have discovered that the ‘death’ of the South African television character can be attributed (at least in part) to a unique set of challenges facing practitioners. My aim is to discover if the moribund television character can perhaps be resuscitated through the application of a concept called ‘the multiplicity of social self’, which finds its roots in the discipline of social psychology. This written explication and its accompanying experimental television film, Zindzi, are twin sites from which to consider the death and possible revival of contemporary South African television characters.","abstract_has_math":false,"creators":["Triegaardt, Allison Laura"],"institution":"Centre for Film and Media Studies","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Fleishman, Mark"],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011","date_published":"2011","updated_at":"2026-07-22T22:23:06Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/11199","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Fleishman, Mark"]},{"key":"dc:creator","label":"Author","values":["Triegaardt, Allison Laura"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-03T18:22:27Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-03T18:22:27Z"]},{"key":"dc:date.issued","label":"Date","values":["2011"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Centre for Film and Media Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/11199"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title on accompanying disc: Zindzi"]},{"key":"dc:description.abstract","label":"Abstract","values":["Television drama demands a strong sense of story to sustain a viewer’s engagement, and fictional characters are key dramatic vehicles in story construction, yet it remains an area that is severely neglected in terms of both theory and practice at this time in South Africa. I have discovered that the ‘death’ of the South African television character can be attributed (at least in part) to a unique set of challenges facing practitioners. My aim is to discover if the moribund television character can perhaps be resuscitated through the application of a concept called ‘the multiplicity of social self’, which finds its roots in the discipline of social psychology. This written explication and its accompanying experimental television film, Zindzi, are twin sites from which to consider the death and possible revival of contemporary South African television characters."]},{"key":"dc:title","label":"Title","values":["One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival"]}]}],"canonical_facts":{"dc:contributor.advisor":["Fleishman, Mark"],"dc:creator":["Triegaardt, Allison Laura"],"dc:date.accessioned":["2015-01-03T18:22:27Z"],"dc:date.available":["2015-01-03T18:22:27Z"],"dc:date.issued":["2011"],"dc:description":["Title on accompanying disc: Zindzi"],"dc:description.abstract":["Television drama demands a strong sense of story to sustain a viewer’s engagement, and fictional characters are key dramatic vehicles in story construction, yet it remains an area that is severely neglected in terms of both theory and practice at this time in South Africa. I have discovered that the ‘death’ of the South African television character can be attributed (at least in part) to a unique set of challenges facing practitioners. My aim is to discover if the moribund television character can perhaps be resuscitated through the application of a concept called ‘the multiplicity of social self’, which finds its roots in the discipline of social psychology. This written explication and its accompanying experimental television film, Zindzi, are twin sites from which to consider the death and possible revival of contemporary South African television characters."],"dc:identifier.uri":["http://hdl.handle.net/11427/11199"],"dc:language.iso":["eng"],"dc:publisher.department":["Centre for Film and Media Studies"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:06Z"}