{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/11120"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/11120","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"The structure of Franck's D minor symphony and its historical antecedents","abstract":"César Franck has often been regarded as the composer who most systematically applied the cyclic principle in composition. This study defines the various applications of this principle before describing specific instances in the works of Mozart, Beethoven, Schubert, Berlioz, Schumann and Liszt, as the historical antecedents to Franck's Symphony in D minor (1888). After an investigation of the motivic derivation and inter-relationships of the cyclic themes in Franck's Symphony, the manner in which the cyclic principle is applied in this work is discussed. Finally the overall formal structure is considered and a detailed analysis of the symphony follows to show the manifold ways in which thematic material is utilised to create an organically unified work.","abstract_html":"César Franck has often been regarded as the composer who most systematically applied the cyclic principle in composition. This study defines the various applications of this principle before describing specific instances in the works of Mozart, Beethoven, Schubert, Berlioz, Schumann and Liszt, as the historical antecedents to Franck's Symphony in D minor (1888). After an investigation of the motivic derivation and inter-relationships of the cyclic themes in Franck's Symphony, the manner in which the cyclic principle is applied in this work is discussed. Finally the overall formal structure is considered and a detailed analysis of the symphony follows to show the manifold ways in which thematic material is utilised to create an organically unified work.","abstract_has_math":false,"creators":["Van Alphen, Henri Peter"],"institution":"College of Music","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Hofmeyr, Hendrik"],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007","date_published":"2007","updated_at":"2026-07-22T22:23:12Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/11120","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Hofmeyr, Hendrik"]},{"key":"dc:creator","label":"Author","values":["Van Alphen, Henri Peter"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-03T05:38:37Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-03T05:38:37Z"]},{"key":"dc:date.issued","label":"Date","values":["2007"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["College of Music"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MMus"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/11120"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references (p. 121-123)."]},{"key":"dc:description.abstract","label":"Abstract","values":["César Franck has often been regarded as the composer who most systematically applied the cyclic principle in composition. This study defines the various applications of this principle before describing specific instances in the works of Mozart, Beethoven, Schubert, Berlioz, Schumann and Liszt, as the historical antecedents to Franck's Symphony in D minor (1888). After an investigation of the motivic derivation and inter-relationships of the cyclic themes in Franck's Symphony, the manner in which the cyclic principle is applied in this work is discussed. Finally the overall formal structure is considered and a detailed analysis of the symphony follows to show the manifold ways in which thematic material is utilised to create an organically unified work."]},{"key":"dc:title","label":"Title","values":["The structure of Franck's D minor symphony and its historical antecedents"]}]}],"canonical_facts":{"dc:contributor.advisor":["Hofmeyr, Hendrik"],"dc:creator":["Van Alphen, Henri Peter"],"dc:date.accessioned":["2015-01-03T05:38:37Z"],"dc:date.available":["2015-01-03T05:38:37Z"],"dc:date.issued":["2007"],"dc:description":["Includes bibliographical references (p. 121-123)."],"dc:description.abstract":["César Franck has often been regarded as the composer who most systematically applied the cyclic principle in composition. This study defines the various applications of this principle before describing specific instances in the works of Mozart, Beethoven, Schubert, Berlioz, Schumann and Liszt, as the historical antecedents to Franck's Symphony in D minor (1888). After an investigation of the motivic derivation and inter-relationships of the cyclic themes in Franck's Symphony, the manner in which the cyclic principle is applied in this work is discussed. Finally the overall formal structure is considered and a detailed analysis of the symphony follows to show the manifold ways in which thematic material is utilised to create an organically unified work."],"dc:identifier.uri":["http://hdl.handle.net/11427/11120"],"dc:language.iso":["eng"],"dc:publisher.department":["College of Music"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["The structure of Franck's D minor symphony and its historical antecedents"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MMus"]},"updated_at":"2026-07-22T22:23:12Z"}