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College of Music

A comparative analysis of two guitar transcriptions of Isaac Albéniz's Granada

Abstract

dc:description.abstract

The solo piano works of Isaac Albéniz have been extensively transcribed and performed by many guitarists. Granada, the first movement from his Suite Española for piano is a favourite amongst guitarists - sometimes even more so than amongst pianists. This dissertation offers a comparative analysis of the very first transcription of Granada by the renowned Romantic composer and guitar virtuoso Francisco Tárrega, and a more recent transcription by Stanley Yates. The aim of the study is to identify and critically evaluate various transcription techniques employed by these transcribers, in order to determine the extent to which their transcriptions of Granada are similar and different.

Degree

thesis:*
Grantor dc:publisher.institution
College of Music
Year dc:date.issued
2011

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Rontsch, Marc
Advisors dc:contributor.advisor
  • Watt, Martin
  • Grace, James

Rights

Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11427/11015
OAI identifier oai:identifier
oai:open.uct.ac.za:11427/11015

Chain of custody

source
Harvested from
University of Cape Town
Base URL
open.uct.ac.za/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Rontsch, Marc. A comparative analysis of two guitar transcriptions of Isaac Albéniz's Granada. College of Music, 2011. http://hdl.handle.net/11427/11015