{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/10890"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/10890","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Other observations","abstract":"Painting presents an almost infinite range of possibilities to convey meaning through the versatility and potential of the medium. It is to this potential for mimicking and representing the real world that I wish to turn; for whilst the word painting refers to the manifestation of the physical object, it also, more importantly for this discussion, refers to the act of painting itself, the application of paint onto a surface in the articulation of an illusory reality. This ability to represent in paint, upon a two-dimensional surface, the real world in such a way as to cause in the viewer an experience which is somehow like that of looking at the world, is called naturalism.","abstract_html":"Painting presents an almost infinite range of possibilities to convey meaning through the versatility and potential of the medium. It is to this potential for mimicking and representing the real world that I wish to turn; for whilst the word painting refers to the manifestation of the physical object, it also, more importantly for this discussion, refers to the act of painting itself, the application of paint onto a surface in the articulation of an illusory reality. This ability to represent in paint, upon a two-dimensional surface, the real world in such a way as to cause in the viewer an experience which is somehow like that of looking at the world, is called naturalism.","abstract_has_math":false,"creators":["Van der Byl, Gretchen"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Teale, Julia","Lamprecht, Andrew"],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004","date_published":"2004","updated_at":"2026-07-22T22:22:39Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/10890","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Teale, Julia","Lamprecht, Andrew"]},{"key":"dc:creator","label":"Author","values":["Van der Byl, Gretchen"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-01-01T12:52:24Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-01-01T12:52:24Z"]},{"key":"dc:date.issued","label":"Date","values":["2004"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/10890"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Bibliography: leaves 94-98."]},{"key":"dc:description.abstract","label":"Abstract","values":["Painting presents an almost infinite range of possibilities to convey meaning through the versatility and potential of the medium. It is to this potential for mimicking and representing the real world that I wish to turn; for whilst the word painting refers to the manifestation of the physical object, it also, more importantly for this discussion, refers to the act of painting itself, the application of paint onto a surface in the articulation of an illusory reality. This ability to represent in paint, upon a two-dimensional surface, the real world in such a way as to cause in the viewer an experience which is somehow like that of looking at the world, is called naturalism."]},{"key":"dc:title","label":"Title","values":["Other observations"]}]}],"canonical_facts":{"dc:contributor.advisor":["Teale, Julia","Lamprecht, Andrew"],"dc:creator":["Van der Byl, Gretchen"],"dc:date.accessioned":["2015-01-01T12:52:24Z"],"dc:date.available":["2015-01-01T12:52:24Z"],"dc:date.issued":["2004"],"dc:description":["Bibliography: leaves 94-98."],"dc:description.abstract":["Painting presents an almost infinite range of possibilities to convey meaning through the versatility and potential of the medium. It is to this potential for mimicking and representing the real world that I wish to turn; for whilst the word painting refers to the manifestation of the physical object, it also, more importantly for this discussion, refers to the act of painting itself, the application of paint onto a surface in the articulation of an illusory reality. This ability to represent in paint, upon a two-dimensional surface, the real world in such a way as to cause in the viewer an experience which is somehow like that of looking at the world, is called naturalism."],"dc:identifier.uri":["http://hdl.handle.net/11427/10890"],"dc:language.iso":["eng"],"dc:publisher.department":["Michaelis School of Fine Art"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Other observations"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:22:39Z"}