{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/10636"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/10636","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers","abstract":"This dissertation is concerned with a comparative study of the relationships between the contrapuntal language of J.S. Bach, as evinced in the Well-Tempered Clavier, and fugues for the piano by selected Romantic composers. The research involves a preliminary investigation into the decline of Bach's music in the Classical era and the resurgence thereof in the Romantic era.","abstract_html":"This dissertation is concerned with a comparative study of the relationships between the contrapuntal language of J.S. Bach, as evinced in the Well-Tempered Clavier, and fugues for the piano by selected Romantic composers. The research involves a preliminary investigation into the decline of Bach's music in the Classical era and the resurgence thereof in the Romantic era.","abstract_has_math":false,"creators":["Saayman, Jasper Jacobus"],"institution":"College of Music","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011","date_published":"2011","updated_at":"2026-07-22T22:23:47Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/10636","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Saayman, Jasper Jacobus"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-12-30T19:51:34Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-12-30T19:51:34Z"]},{"key":"dc:date.issued","label":"Date","values":["2011"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["College of Music"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MMus"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/10636"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes bibliographical references (leaves 188-197)."]},{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation is concerned with a comparative study of the relationships between the contrapuntal language of J.S. Bach, as evinced in the Well-Tempered Clavier, and fugues for the piano by selected Romantic composers. The research involves a preliminary investigation into the decline of Bach's music in the Classical era and the resurgence thereof in the Romantic era."]},{"key":"dc:title","label":"Title","values":["The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers"]}]}],"canonical_facts":{"dc:creator":["Saayman, Jasper Jacobus"],"dc:date.accessioned":["2014-12-30T19:51:34Z"],"dc:date.available":["2014-12-30T19:51:34Z"],"dc:date.issued":["2011"],"dc:description":["Includes bibliographical references (leaves 188-197)."],"dc:description.abstract":["This dissertation is concerned with a comparative study of the relationships between the contrapuntal language of J.S. Bach, as evinced in the Well-Tempered Clavier, and fugues for the piano by selected Romantic composers. The research involves a preliminary investigation into the decline of Bach's music in the Classical era and the resurgence thereof in the Romantic era."],"dc:identifier.uri":["http://hdl.handle.net/11427/10636"],"dc:language.iso":["eng"],"dc:publisher.department":["College of Music"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MMus"]},"updated_at":"2026-07-22T22:23:47Z"}