{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/10510"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/10510","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Motifs of transformation in four novels of Margaret Atwood","abstract":"The dominant theme that Margaret Atwood foregrounds in her writing is that of victimisation, whether she is writing of the victimisation of a country, of a minority group, of animals or of an individual. She adopts the position that through acknowledgement of that victimisation, and a refusal to accept the role of victim, it is possible to become a creative non-victim. It soon becomes evident from Atwood's writing that victimisation of one kind or another is what underpins the powerful patriarchal constructions of society. In each of the four novels discussed in this thesis Atwood's female protagonists, all victims of patriarchy, transform themselves, through accessing their creativity, using it transgressively, and overcoming the strictures of patriarchy upon their lives.","abstract_html":"The dominant theme that Margaret Atwood foregrounds in her writing is that of victimisation, whether she is writing of the victimisation of a country, of a minority group, of animals or of an individual. She adopts the position that through acknowledgement of that victimisation, and a refusal to accept the role of victim, it is possible to become a creative non-victim. It soon becomes evident from Atwood's writing that victimisation of one kind or another is what underpins the powerful patriarchal constructions of society. In each of the four novels discussed in this thesis Atwood's female protagonists, all victims of patriarchy, transform themselves, through accessing their creativity, using it transgressively, and overcoming the strictures of patriarchy upon their lives.","abstract_has_math":false,"creators":["Gribble, Jill"],"institution":"Department of English Language and Literature","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Fincham, Gail"],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000","date_published":"2000","updated_at":"2026-07-22T22:23:06Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/10510","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Fincham, Gail"]},{"key":"dc:creator","label":"Author","values":["Gribble, Jill"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-12-30T06:37:58Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-12-30T06:37:58Z"]},{"key":"dc:date.issued","label":"Date","values":["2000"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of English Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/10510"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Bibliography: pages 229-235."]},{"key":"dc:description.abstract","label":"Abstract","values":["The dominant theme that Margaret Atwood foregrounds in her writing is that of victimisation, whether she is writing of the victimisation of a country, of a minority group, of animals or of an individual. She adopts the position that through acknowledgement of that victimisation, and a refusal to accept the role of victim, it is possible to become a creative non-victim. It soon becomes evident from Atwood's writing that victimisation of one kind or another is what underpins the powerful patriarchal constructions of society. In each of the four novels discussed in this thesis Atwood's female protagonists, all victims of patriarchy, transform themselves, through accessing their creativity, using it transgressively, and overcoming the strictures of patriarchy upon their lives."]},{"key":"dc:title","label":"Title","values":["Motifs of transformation in four novels of Margaret Atwood"]}]}],"canonical_facts":{"dc:contributor.advisor":["Fincham, Gail"],"dc:creator":["Gribble, Jill"],"dc:date.accessioned":["2014-12-30T06:37:58Z"],"dc:date.available":["2014-12-30T06:37:58Z"],"dc:date.issued":["2000"],"dc:description":["Bibliography: pages 229-235."],"dc:description.abstract":["The dominant theme that Margaret Atwood foregrounds in her writing is that of victimisation, whether she is writing of the victimisation of a country, of a minority group, of animals or of an individual. She adopts the position that through acknowledgement of that victimisation, and a refusal to accept the role of victim, it is possible to become a creative non-victim. It soon becomes evident from Atwood's writing that victimisation of one kind or another is what underpins the powerful patriarchal constructions of society. In each of the four novels discussed in this thesis Atwood's female protagonists, all victims of patriarchy, transform themselves, through accessing their creativity, using it transgressively, and overcoming the strictures of patriarchy upon their lives."],"dc:identifier.uri":["http://hdl.handle.net/11427/10510"],"dc:language.iso":["eng"],"dc:publisher.department":["Department of English Language and Literature"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["Motifs of transformation in four novels of Margaret Atwood"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MA"]},"updated_at":"2026-07-22T22:23:06Z"}