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Michaelis School of Fine Art

Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic

Abstract

dc:description.abstract

Inflatable sculpture is often seen as absurd, comic or light-hearted, but it can also convey a darker, more serious tone. The inflatable sculptures created in part fulfillment for this degree explore refabrication through the use of discarded plastic. This body of work highlights the relationship between industrialisation, plastic goods and nature. The insubstantial, flimsy qualities of the inflatable are an extended metaphor for the fragility of ecologies and the impact of plastic pollution on the environment.

Degree

thesis:*
Grantor dc:publisher.institution
Michaelis School of Fine Art
Year dc:date.issued
2010

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Dickerson, Catherine
Advisor dc:contributor.advisor
  • Younge, Gavin

Rights

Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11427/10408
OAI identifier oai:identifier
oai:open.uct.ac.za:11427/10408

Chain of custody

source
Harvested from
University of Cape Town
Base URL
open.uct.ac.za/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Dickerson, Catherine. Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic. Michaelis School of Fine Art, 2010. http://hdl.handle.net/11427/10408