{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/10346"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/10346","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Shakespeare in South Africa : literary theory and practice","abstract":"This thesis explores the development of a \"South African Shakespeare\". Relying on post-colonial theory as primary framework, it views colonised culture not as secondary and responsive, but as primary and creative. The main work of the thesis is to trace the role played by \"Shakespeare\", as a set of texts and as an icon, in a particular trajectory of writing in English in South Africa in the first half of the twentieth century.","abstract_html":"This thesis explores the development of a &quot;South African Shakespeare&quot;. Relying on post-colonial theory as primary framework, it views colonised culture not as secondary and responsive, but as primary and creative. The main work of the thesis is to trace the role played by &quot;Shakespeare&quot;, as a set of texts and as an icon, in a particular trajectory of writing in English in South Africa in the first half of the twentieth century.","abstract_has_math":false,"creators":["Distiller, Natasha"],"institution":"Department of English Language and Literature","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Schalkwyk, David"],"committee_chairs":[],"committee_members":[],"year":2003,"date_issued":"2003","date_published":"2003","updated_at":"2026-07-22T22:23:30Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/10346","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Schalkwyk, David"]},{"key":"dc:creator","label":"Author","values":["Distiller, Natasha"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-12-28T14:45:47Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-12-28T14:45:47Z"]},{"key":"dc:date.issued","label":"Date","values":["2003"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of English Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Doctoral Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["PhD"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/10346"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Bibliography: leaves 237-256."]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis explores the development of a \"South African Shakespeare\". Relying on post-colonial theory as primary framework, it views colonised culture not as secondary and responsive, but as primary and creative. The main work of the thesis is to trace the role played by \"Shakespeare\", as a set of texts and as an icon, in a particular trajectory of writing in English in South Africa in the first half of the twentieth century."]},{"key":"dc:title","label":"Title","values":["Shakespeare in South Africa : literary theory and practice"]}]}],"canonical_facts":{"dc:contributor.advisor":["Schalkwyk, David"],"dc:creator":["Distiller, Natasha"],"dc:date.accessioned":["2014-12-28T14:45:47Z"],"dc:date.available":["2014-12-28T14:45:47Z"],"dc:date.issued":["2003"],"dc:description":["Bibliography: leaves 237-256."],"dc:description.abstract":["This thesis explores the development of a \"South African Shakespeare\". Relying on post-colonial theory as primary framework, it views colonised culture not as secondary and responsive, but as primary and creative. 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