Abstract
dc:description.abstractIn this dissertation I have sought to examine some contemporary representations of Elizabeth I. Beginning with an outline of how the queen struggled to construct her feminine power within and beyond dominant patriarchal discourse, I go on to explore closely three modern filmic treatments of the queen: The Virgin Queen (1955), Mary, Queen of Scots (1971) and Elizabeth (1998). These films are discussed in terms of their engagement with Elizabeth's iconography and mythic biography, and in terms of the anxieties reproduced as a consequence of their grounding in particular historical eras.
Degree
thesis:*- Grantor dc:publisher.institution
- Department of English Language and Literature
- Year dc:date.issued
- 2000
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- De Klerk, Emily
- Advisor dc:contributor.advisor
-
- Marx, Lesley
Rights
- Language dc:language.iso
- eng
Identifiers
dc:identifier.*- Handle dc:identifier.uri
- http://hdl.handle.net/11427/10345
- OAI identifier oai:identifier
- oai:open.uct.ac.za:11427/10345